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Record W3083963749 · doi:10.7202/1069295ar

Mondes et temps suspendus

2019· article· fr· W3083963749 on OpenAlexaffvenueabout
Alice Michaud-Lapointe

Bibliographic record

VenueNouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec · 2019
Typearticle
Languagefr
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsUniversité de Montréal
Fundersnot available
KeywordsHumanitiesArtPhilosophy

Abstract

fetched live from OpenAlex

Cet article se propose d’étudier de quelles manières les réalisations de la cinéaste Sophie Goyette s’inscrivent dans le cinéma contemporain des femmes au Québec, et comment elles en redéfinissent certains contours en privilégiant le motif de « l’entre-deux » pour parler de construction identitaire et d’affranchissement de soi. À travers l’analyse de Mes nuits feront écho (2016) et des courts-métrages de Goyette (La Ronde, Le Futur proche, Manèges), il est possible de constater qu’une poésie du « contournement » ressort de façon singulière, autant au point de vue du traitement narratif (lié aux questions de deuil, d’onirisme, de traversée intérieure) que des choix formels et esthétiques de la cinéaste. Cet article prend aussi le parti d’explorer, à travers l’exemple de Sophie Goyette, l’importance de la liberté créatrice entre réalisatrices et actrices. À plus large échelle, il met l’accent sur l’importance de mieux considérer la spécificité des sensibilités féminines des cinéastes québécoises à travers les différentes formes de subjectivité qu’elles travaillent, afin de continuer à déconstruire collectivement l’idée du « film de femme » et les présupposés qui l’accompagnent.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.628
Threshold uncertainty score0.739

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0140.011
Scholarly communication0.0080.005
Open science0.0010.005
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0300.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.220
Teacher spread0.202 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2019
Admission routes3
Has abstractyes

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Same venueNouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au QuébecSame topicCinema and Media StudiesFrench-language works237,207