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Record W3089201579 · doi:10.32370/ia_2020_09_16

Formation and Development of Interest in Music in Beginner Pupils in the Process of Learning to Play the Piano

2020· article· en· W3089201579 on OpenAlexvenueno aff
Nina Zabolotnia

Bibliographic record

VenueIntellectual Archive · 2020
Typearticle
Languageen
FieldComputer Science
TopicEducational Methods and Teacher Development
Canadian institutionsnot available
Fundersnot available
KeywordsPianoCreativityPsychologyNatural (archaeology)Intonation (linguistics)MusicalVariety (cybernetics)FeelingProcess (computing)NaturalnessPerceptionCognitive psychologyMathematics educationLinguisticsComputer scienceVisual artsSocial psychology

Abstract

fetched live from OpenAlex

Presented a variety of methodological techniques at the first stages of learning to play the piano in order to form and consolidate interest at the piano lessons.Purely practical approaches to solving this problem that were tested in the process of real work with children of primary school age are offered.The main idea is the need for maximum approximation of learning to play a musical instrument to the types of creative activity familiar to a child.This is the main guarantee of the most complete manifestation of the pupil's creative abilities and their subsequent development.Given specific examples that facilitate the perception of the teacher's instructions, encourage the child to work independently, meaningfully elaborate musical works, and develop a desire to communicate with music.An interesting and original know-how is music comparison with wildlife (Such a relationship contributes to the natural feeling of the phrase, the naturalness of intonation, and differentiated sound extraction).The important role of teacher's personality, his ability to creating an atmosphere of true creativity far from the mechanical fulfillment of his instructions at the lesson is emphasized.Work with pupils should be based on "child-centeredness" principle in the broadest and best sense of the word. Key words:Piano teacher, creative activity, learning to play the piano, beginner pupils, interest.Актуальність дослідження.У сучасних умовах, коли на дітей обвалюється шквал різноманітної, далеко не завжди корисної, а іноді просто шкідливої інформації, коли чи не в кожній родині є планшети, ноутбуки, смартфони тощо, тема виховання інтересу та любові до справжнього мистецтва стає надзвичайно актуальною.Адже зараз, на жаль, відбувається суттєва зміна ціннісних орієнтацій дітей: зростання престижу матеріальних статків, зменшення ваги моральних, етичних та інтелектуальних чинників, швидкими темпами руйнується емоційна складова як в структурі особистості, так і в суспільному бутті в цілому.Тим важливішими є спроби викладачів-практиків узагальнити та розповсюдити свій досвід виховання свідомого інтересу дітей до занять музикою, зокрема в класі фортепіано.Виклад основного матеріалу.Практично кожний із викладачів-піаністів стикався у своїй педагогічній діяльності з цікавим, але, водночас, неприємним феноменом, -коли дитина приходить до школи мистецтв із великим бажанням, біжить на уроки в

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.004
Threshold uncertainty score0.012

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0010.001
Scholarly communication0.0020.001
Open science0.0000.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.145
GPT teacher head0.313
Teacher spread0.168 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2020
Admission routes1
Has abstractyes

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