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Record W3095731405 · doi:10.1093/library/21.3.402

<i>A Poetics of Editing</i> . By <scp>Susan L. Greenberg</scp> <i>A Poetics of Editing</i> . By GreenbergSusan L.. New York: Palgrave Macmillan. 2018. 265 pp. $120.95. <scp>isbn</scp> 978 3 3199 2245 4.

2020· article· en· W3095731405 on OpenAlexaff
Germaine Warkentin

Bibliographic record

VenueThe Library · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicDigital Humanities and Scholarship
Canadian institutionsToronto Public Health
Fundersnot available
KeywordsPoeticsErasmus+CraftSubject (documents)MAGIC (telescope)PhilosophyPoetryLiteratureArt historyArtComputer scienceVisual arts

Abstract

fetched live from OpenAlex

In putting more than two words on paper you are bound to experience the editorial moment: the correction and rewriting that is the subject of a cartoon so famous its originator seems untraceable. A figure is busily crossing out and rewriting a wall inscription that says ‘The strongest drive is not Love or Hate [insert image of pencil‐sharpener] It is one person's need to change modify amend correct alter fix chop to pieces EDIT improve another's copy’. The habit of correction is an ancient one, appearing long before the third‐century BC Alexandrians compared manuscript texts, or the sixteenth‐century scholar Erasmus reviewed the printed sheets of his books as they came off the press. Once upon a time correction (let's call it editing) had status and legitimacy, but in the past three centuries it has been de‐legitimized successively by the forces of romanticism, scientific empiricism, conflicting forms of critical theory, and the excesses of popular journalism. Susan Greenberg sets out to craft a general theory of editing that will respond to what she sees as its undeserved invisibility, which as a professional editor she feels keenly.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Commentary · Consensus signal: none
Teacher disagreement score0.058
Threshold uncertainty score0.195

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0040.006
Scholarly communication0.0100.010
Open science0.0010.003
Research integrity0.0030.006
Insufficient payload (model declined to judge)0.0580.035

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.199
Teacher spread0.168 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes1
Has abstractyes

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