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Record W3096274843 · doi:10.3138/ctr.184.011

Sound, Senses, Musical Meaning, and Digital Performance: Epistemological Reframings

2020· article· en· W3096274843 on OpenAlexvenueno aff
Doug Van Nort

Bibliographic record

VenueCanadian Theatre Review · 2020
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPerformative utteranceMusicalEmbodied cognitionNew Interfaces for Musical ExpressionScholarshipMediationMusical compositionOrchestrationSound artAestheticsMeaning (existential)SociologyMusical expressionPerformance studiesActive listeningVisual artsCognitive scienceArtEpistemologyPsychologyCommunicationPerformance artSocial science

Abstract

fetched live from OpenAlex

Drawing upon scholarship in sound studies, computer music, sensory ethnography, and musicology, this article argues that digital mediation has radically altered our understanding of the ‘musical work’ and the divisions of labour emerging from digital musical performance practice. It further argues that this opens up both an opportunity and a need, particularly in contexts involving artificial intelligence (AI)/machine learning or interactive systems, for new creative approaches that place embodied practices of listening, improvisatory musical expression, and new approaches to performative sense-making at the core of musical research and creation in a manner that traverses composition, performance, and technological development.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.011
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.136
Threshold uncertainty score0.271

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0110.010
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0130.012
Science and technology studies0.0080.100
Scholarly communication0.0190.018
Open science0.0030.011
Research integrity0.0040.006
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.224
Teacher spread0.200 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2020
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicMusic Technology and Sound StudiesFrench-language works237,207