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Record W3096996995 · doi:10.3138/ctr.184.002

Environmental Sound and Urban Noise: Ben Rubin and Jer Thorp’s <i>Herald/Harbinger</i>

2020· article· en· W3096996995 on OpenAlexvenueaboutno aff
Susan Bennett

Bibliographic record

VenueCanadian Theatre Review · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHistoryConversationAnthropoceneSound (geography)DowntownGlacierIndigenousMedia studiesEnvironmental ethicsEngineeringArt historyVisual artsArchaeologyGeographyArtSociologyGeologyOceanographyPhilosophy

Abstract

fetched live from OpenAlex

“Environmental Sound and Urban Noise” looks at the impact of sound in the experience of Ben Rubin and Jer Thorp’s Herald/Harbinger. This work by two New York-based artists is installed in the centre of the Calgary city downtown to invoke, in Thorp’s words, “a long-distance conversation between a glacier and a city.” Real-time data is collected from geophones embedded into the Bow Glacier, some 220 km west of Calgary. The data is then translated into aural form (by way of an algorithm devised by Rubin and Thorp) and relayed via satellite, with a mere 5-minute delay, to a sixteen-channel speaker installation located on the forecourt of the city’s tallest building, Brookfield Place. The installation at once provides a place of repose and an injunction to listen. The glacier’s soundtrack heralds the past and the present, the Pleistocene and the Anthropocene eras, Indigenous and settler populations, natural and built environments. At the same time, the installation is a harbinger, asking its audiences to listen to where our climate crisis seems destined to go. The “conversation” hailed by Herald/Harbinger is all the more poignant and most certainly urgent in a city whose economic prosperity remains overdetermined by the fossil fuel industry.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.969
Threshold uncertainty score0.061

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0070.007
Scholarly communication0.0070.005
Open science0.0010.004
Research integrity0.0050.008
Insufficient payload (model declined to judge)0.0060.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.060
GPT teacher head0.203
Teacher spread0.143 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicDiverse Musicological StudiesFrench-language works237,207