Encountering Music: Songs Seen, Felt, and Heard
Bibliographic record
Abstract
The aesthetics of accessibility, where considerations of access shape both the creation and presentation of a production, are a driving force in Canadian Deaf and disability theatre. In this article, we reflect on sound, music, access, and audism in Songs My Mother Never Sung Me, a bilingual American Sign Language (ASL) and sung English chamber opera written and composed by Dave Clarke and produced by Concrete Theatre at SOUND OFF: A Deaf Theatre Festival in 2019. This fictionalized memoir is based on Clarke’s experience as a CODA (Child of Deaf Adult) and explores the complex relationship of a hearing boy and his Deaf mom. In this piece, music and sound are not only aural elements, but are also tactile vibration, visual projection, and rhythmic ASL. This convergence of the senses expands conceptions of sound and music to comment on the inequality of Deaf and hearing access in the world beyond theatre production as audience position and ASL comprehension gave audiences differing access to the tactile vibration and ASL.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.003 | 0.005 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.003 | 0.003 |
| Science and technology studies | 0.006 | 0.015 |
| Scholarly communication | 0.008 | 0.003 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.009 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".