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Record W3099954881 · doi:10.37867/te120212

THE CANADIAN DOCUMENTARY DRAMA: TRAJECTORY OF ITS GROWTH AND SALIENT FEATURES

2020· article· en· W3099954881 on OpenAlex
Devang Nanavati

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueTowards Excellence · 2020
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDramaSalientPoliticsMythologyColonialismHypocrisyAestheticsHistorySociologyArtLiteraturePolitical scienceLaw

Abstract

fetched live from OpenAlex

The Canadian documentary drama is a unique genre of dramatic art in terms of its conceptual growth, its objectives marked by post-colonial hues and its insistence to explore truth of a given issue holistically. The present paper attempts to discuss as to how a Canadian docudrama differs from the other dramatic genres like history play, problem play or commitment play- in spite of the fact that it certainly weaves into its structure historical data, discusses contemporary social problems and exposes the politics of socio-economic and racial colonization. Although this region-specific dramatic art had become remarkably popular in Canada in 1970s and 1980s, its artistic potential certainly transcends spatio-temporal boundaries because it has the capacity to de-colonize any community by interrogating and undermining the hypocrisy of its existing myths of human progress. Hence, while tracing the development of this stage art, this paper also aims to discuss various features of this art form.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.457
Threshold uncertainty score0.993

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.211
Teacher spread0.187 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it