Bibliographic record
Abstract
The fundamental principle of Hans Blumenberg’s concept of Modernity is “immanent self-assertion,” through which the modern human being identifies within itself the possibilities of transforming or re-constructing the world according to a human order. “Immanent self-assertion” is a product of human progress and is conditioned by the historical development of theoretical curiosity. In this article, it is argued that Blumenberg’s concept of Modernity is founded on a misinterpretation of Epicurean ataraxia, which is traditionally defined as “freedom from anxiety” and which Blumenberg himself characterizes as “dispassionate ease.” For Blumenberg, ataraxia epitomizes the limitations of theoretical curiosity before the modern era. Where Blumenberg identifies “immanent self-assertion” as the means of extending absolute influence over the world through the subjugation of nature, it is argued that Epicurean worldliness resides within a sense of self-mastery against the radical contingency of tuchē (for-tune) that defines the world order.Le principe fondamental du concept de modernité de Hans Blumen-berg est « l’affirmation de soi immanente», par laquelle l’être humain moderne identifie en lui-même les possibilités de transformer ou de reconstruire le monde selon l’ordre humain. « L’affirmation de soi immanente » est un produit du progrès humain, conditionnée par le développement historique de la curiosité théorique. Dans cet article, on avance que le concept de modernité de Blumenberg est fondé sur une interprétation erronée du ataraxia épicurien, défini traditionnellement comme « l’absence d’anxiété » et que Blumenberg lui-même qualifie de « facilité impartiale ». Pour Blumenberg, ataraxia incarne les limites de la curiosité théorique avant l'ère moderne. Là où Blumenberg identifie « l’affirmation de soi immanente » comme le moyen d'étendre une influence absolue sur le monde par la subjugation de la nature, il est soutenu que la mondanité épicurienne réside dans un sentiment de maîtrise de soi contre la contingence radicale de tuchē qui définit l'ordre mondial.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.004 | 0.025 |
| Scholarly communication | 0.005 | 0.007 |
| Open science | 0.001 | 0.005 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.003 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".