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Record W3112298668 · doi:10.3138/cjfs-2019-0020

You and I . . . We’re the Same: Men and Women outside the Romance Pact

2020· article· fr· W3112298668 on OpenAlexvenueno aff
Anastasia Kanjere

Bibliographic record

VenueCanadian Journal of Film Studies · 2020
Typearticle
Languagefr
FieldSocial Sciences
TopicGender, Feminism, and Media
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtSubversionEthnologyHistory

Abstract

fetched live from OpenAlex

L’auteure étudie la dynamique racisée et genrée qui caractérise les rôles principaux tenus par une femme blanche et un homme noir, phénomène narratif auquel les chercheurs n’ont pas accordé jusqu’à maintenant l’attention qu’il mérite. Elle s’appuie sur les exemples tirés de quatre films : The Pelican Brief ( L’Affaire Pélican) (1993), The Long Kiss Goodnight ( Souviens-toi Charlie) (1996), I, Robot ( Les Robots) (2004), et Hancock (2008). Le tabou hollywoodien auquel obéit la représentation d’histoires d’amour interraciales fait en sorte que les relations entre les deux personnages sont nécessairement asexuées ; l’analyse des textes mène l’auteure à la conclusion que ce sont les exigences qu’impose le rôle de compagnon romantique du personnage masculin qui limitent et circonscrivent la performance de genre du personnage féminin. Définissant quatre thèmes — similarité, intimité, flexibilité dans les rôles de genre et délimitation —, l’auteure montre que, dans la distanciation provisoire par rapport à l’hétéronormativité patriarcale représentée dans ces textes, les moments d’égalitarisme, d’intensité et d’intimité entre les personnages masculin et féminin sont possibles. Le dernier thème, celui de la délimitation, circonscrit cette transgression du pacte de l’histoire d’amour, ce qui ramène ultimement la narration du récit étudié à un hétérosexe approuvé, racialement homogène.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.018
Threshold uncertainty score0.041

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0180.023
Scholarly communication0.0090.007
Open science0.0010.005
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0120.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.073
GPT teacher head0.292
Teacher spread0.220 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2020
Admission routes1
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicGender, Feminism, and MediaFrench-language works237,207