A relevância do Vodu na obra País sem chapéu, de Dany Laferrière / The Relevance of Voodoo in Dany Laferrière’s País sem chapéu
Bibliographic record
Abstract
Resumo: O presente artigo tem por objetivo analisar a relevância do Vodu na obra País sem chapéu, de Dany Laferrière, publicada em 1996, no Quebec. Essa obra retrata a história do personagem Vieux Os que retorna ao seu país natal, após vinte anos de exílio, com a intenção de escrever um livro. A partir de um forte estranhamento inicial, Vieux Os propõe uma série de reflexões sobre a vida cotidiana e o imaginário cultural, com a intenção de trabalhar e problematizar a identidade espiritual ancestral de seu país. Vamos investigar em que medida esse reencontro do narrador-personagem com seu país natal é revelador quanto à importância do Vodu em sua própria vida e no mundo social haitiano. Para alcançar o nosso objetivo, estabeleceremos um diálogo entre País sem chapéu (1996), Dany Laferrière: autobiografia, ficção ou autoficção? (2007) de Eurídice Figueiredo e Vodu no Haiti – Candomblé no Brasil: Identidades culturais e sistemas religiosos como concepções de mundo afro-latino americano (2010) de Handerson Joseph.Palavras-chave: Dany Laferrière; País sem chapéu; Vodu; romance.Abstract: This article intends to analyze the relevance of the Voodoo in Dany Laferrière’s work País sem chapéu, published in 1996 in Quebec. This work portrays the story of Vieux Os who returns to his home country after twenty years of exile with the intention of writing a book. From a strong initial strangeness, Vieux Os proposes a series of reflections about daily life and the cultural imaginary with the intention of discussing and problematizing the country’s ancestral spiritual identity. We are going to investigate to what extent this reunion of the first-person narrator with his native country is revealing the importance of the Voodoo in his own life and in the Haitian’s social world. To achieve our goal, we are going to establish a dialogue between País sem chapéu (1996), Dany Laferrière: autobiografia, ficção ou autoficção? (2007) by Eurídice Figueiredo and Vodu no Haiti – Candomblé no Brasil: identidades culturais e sistemas religiosos como concepções de mundo afro-latino americano (2010) by Handerson Joseph.Keywords: Dany Laferrière; País sem chapéu; Voodoo; novel.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.002 | 0.001 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.002 | 0.000 |
| Open science | 0.002 | 0.000 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.001 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".