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Record W3121438007 · doi:10.21083/csieci.v6i1.1167

Fission and Fusion: From improvisation to formalism in law and music

2010· article· en· W3121438007 on OpenAlex
Desmond Manderson

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
fundA Canadian funder is recorded on the work.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueCritical Studies in Improvisation / Études critiques en improvisation · 2010
Typearticle
Languageen
FieldSocial Sciences
TopicLaw in Society and Culture
Canadian institutionsMcGill University
FundersMcGill University
KeywordsParallelsImprovisationPerformative utteranceNoveltyFormalism (music)LegitimacyConjunction (astronomy)SociologyEpistemologyLawAestheticsPsychologyLiteraturePolitical scienceArtSocial psychologyMusicalPhilosophyVisual arts

Abstract

fetched live from OpenAlex

Law and classical music are both performative disciplines. Both became concerned with practices of textual interpretation, and with questions of the authority of those texts and the legitimacy of those interpretations. But exactly how did that happen, and with what social consequences? The relationship between law and music across the centuries shows striking parallels and echoes. If we study them carefully each can illuminate the other, binding them together so that we can see them as two aspects of the same process and the same histories. The insights we gain from the novelty of their conjunction help us to understand these social changes better and differently. This conjunction will also help us see how much our disciplinary blinkers prevent us from observing the far-reaching social forces which these cultural practices at each moment both echo and animate.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.344
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.002
Open science0.0000.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.047
GPT teacher head0.393
Teacher spread0.346 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it