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Record W3124226457 · doi:10.7202/1072663ar

L’exposition de la modernité artistique, lieu de construction de l’identité nationale

2020· article· en· W3124226457 on OpenAlexaffvenueabout
Francine Couture

Bibliographic record

VenueRACAR Revue d art canadienne · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicCultural Identity and Heritage
Canadian institutionsUniversité du Québec à Montréal
Fundersnot available
KeywordsExhibitionModernityPoliticsTasteNational identityArt historyMandateArtIdentity (music)SociologyMedia studiesHumanitiesPolitical scienceAestheticsLawPsychology

Abstract

fetched live from OpenAlex

This article investigates the relation between art exhibitions and political issues by analysing a few exhibitions with titles referring to national identity, such as La peinture canadienne moderne. 25 années de peinture au Canada français, Canada 101 and Canada, art d’aujourd’hui. These exhibitions were organized during the sixties by both Canadian and Quebecois governmental agencies and were intended to be seen abroad. Within the paradoxical modernist duality, in which modernity is presented as both nationally rooted and internationally defined, such exhibitions raised the issue of national identity. The communities of taste that received the mandate of organizing these events tried to impose what they each considered as the genuine definition of Canadian artistic modernity. An intense confrontation and renewal of Canadian and Quebecois nationalisms characterized this period. Thus, this article examines how exhibitions may receive political signification through their setting, the social conditions in which they were held and the discourse produced to accompany them. These exhibitions also participated in the definition of both new Canadian and new Quebecois national identities, each of them being involved in a transforming process.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.483
Threshold uncertainty score0.973

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0090.015
Scholarly communication0.0080.002
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0110.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.206
Teacher spread0.188 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2020
Admission routes3
Has abstractyes

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Same venueRACAR Revue d art canadienneSame topicCultural Identity and HeritageFrench-language works237,207