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Record W3125029847 · doi:10.7202/1073429ar

Le frontispice de la Pompe funèbre du duc Charles III : pensée figurée et imaginaire matériel à la cour de Lorraine au début du XVIIe siècle

2020· article· en· W3125029847 on OpenAlexvenueno aff
Paulette Choné

Bibliographic record

VenueRACAR Revue d art canadienne · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDuchyPrayerArtPassionHumanitiesPoliticsArt historyHistoryTheologyPhilosophyLaw

Abstract

fetched live from OpenAlex

The symbolic system of power in the Duchy of Lorraine, an independent state, consolidated itself during the long reign of Charles iii (1545-1608). The prince’s political actions and his virtues are celebrated in a set of 74 engravings describing the 40 days of mourning that brought together representatives from all the courts of Europe. The plates reflect the solemn attitudes of the court of France, but the main influence of the engravings can be linked to Germanic, Dutch, and Italian traditions. To find the symbolism of mourning, it is necessary to look beyond the traditional ceremonial pattern to the frontispiece of the souvenir collection and the funeral prayer of the duke. A link can be found between the rhetoric of the prayer and the means of expression in the frontispiece. Secretary Claude de La Ruelle is credited with having initiated this great collection of plates. He was probably assisted in the decorative program of the frontispiece by Father Léonard Périn, a Jesuit from the University of Pont-à-Mousson, who led the funeral prayer. La Ruelle commissioned the engravings of Frédéric Brentel, accompanied by Matthieu Merian who signed the frontispiece. Although the frontispiece has been carefully described by Pierre Marot, he did not include a detailed account of its symbolic function. Given the cultural passion for symbolism in the region to which the Duchy of Lorraine belonged and the intellectual pursuits of Jesuits combined with the “culture de la curiosité,” fashionable in the French court and artistic circles alike, a more detailed reading of the iconography of the frontispiece is needed. The similarity between the structure of the frontispiece and a marquetry cabinet can only be hypothetical. The whole may be seen as a microcosm of Lorraine’s hierarchical setting, uniting the naturalistic cause and the allegorical teachings. The symbolic expression, although discreet, plays a role in accentuating the senses by bringing out a more pronounced meaning at a higher level of interpretation. The source of these figurative thoughts from the frontispiece should not be attributed to Ripa’s Iconologia, but rather to the equally famous works of Valeriano, known by the learned community of Nancy. Hieroglyphica are not the only source for this work, which is linked to a culture where elegantly conceived symbols dominate the teachings and documentation of events. The most captivating characteristic is without a doubt its successful synthesis of conceptual imagery and imaginative material taken from the rarest gifts of nature.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.067
Threshold uncertainty score0.134

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0080.007
Scholarly communication0.0050.001
Open science0.0000.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0180.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.183
Teacher spread0.173 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2020
Admission routes1
Has abstractyes

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