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Record W3136494222 · doi:10.14361/9783839449219-006

The Solipsism of the Quantified Self: Working Bodies in David Foster Wallace's Body of Work

2020· book-chapter· en· W3136494222 on OpenAlexaboutno aff
Dominik Steinhilber

Bibliographic record

VenueAmerican culture studies · 2020
Typebook-chapter
Languageen
FieldArts and Humanities
TopicContemporary Literature and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsMaterialismEntertainmentAestheticsSolipsismSexualizationSociologyArtPsychologyEpistemologyGender studiesVisual artsPhilosophy

Abstract

fetched live from OpenAlex

Eerily prophetic in many regards, David Foster Wallace's 1996 novel »Infinite Jest«, this paper argues, can be seen to discuss the all too current phenomenon of the Quantified Self. Within its wider critique of American neoliberalism as producing a culture of solipsism, Infinite Jest portrays self-optimization through quantification in the context of labor as detrimental to the formation of stable and meaningful Selfhood and deforming the laboring body. Redefining tennis, usually a playful, non-productive activity, as a form of labor, students at Infinite Jest's Enfield Tennis Academy are prepared for the »Show«, having their bodies turned into a commodity in a marketplace of spectation. Thus, training at ETA centers on practices of self-quantification. Students' selves are exclusively understood as their body and its statistical representation in rankings, resulting in exchanges such as: »"Hey there, how are you?" "Number eight this week [...]"« The self-objectification that prepares ETA students for their work in the entertainment industry not only defers the Self but the materialist philosophy of ETA also deforms the body, creating grotesque bodies that »look [...] like a gorilla's arm [...] pasted on the body of a child«. Concurrently, digitization in Infinite Jest's entertainment industry also solipsizes and deforms the spectator. Thus, measuring the addictive potential of the »Entertainment«, a movie so effortlessly gratifying its viewers watch it until they die, the Canadian terrorists of Infinite Jest employ a macabre digital method, computing the statistical relation between how many digits viewers are willing to saw off to continue watching and the amount of time a viewer hesitates to do so. Digitization and self-quantification in postmodern capitalism endanger both the producer's and the consumer's Selfhood and body. Infinite Jest can be seen as a literary representation of the quantified self, linking materialist notions of self-quantification to neoliberal, solipsizing logic while proposing a Wittgensteinian solution to the problems arising from such a self-objectifying, materialist and poststructuralist culture. (Artistic) work, the novel continuously linking tennis to the work of the author, should be viewed as a reciprocal interaction between subjects rather than an objectified »body in commerce with bodies«.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.011
Threshold uncertainty score0.037

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0100.045
Scholarly communication0.0110.007
Open science0.0010.007
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0030.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.051
GPT teacher head0.258
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes1
Has abstractyes

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