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Record W3137683654 · doi:10.7202/1075341ar

Decolonizing Desires and Unsettling Musicology: A Settler’s Personal Story of Researching and Teaching Indigenous Music at an American University

2021· article· en· W3137683654 on OpenAlexvenueaboutno aff
Alexa Woloshyn

Bibliographic record

VenueIntersections Canadian Journal of Music · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Music Education Insights
Canadian institutionsnot available
Fundersnot available
KeywordsIndigenousMusicologyColonialismDecolonizationCurriculumSociologyPower (physics)Visual artsMedia studiesSection (typography)PedagogyHistoryArtPolitical scienceArchaeologyLaw

Abstract

fetched live from OpenAlex

For those of us with decolonial desires, the university classroom is a potential space of disruption and reorganization. Our courses, course materials, teaching tools, students, and our own bodies and minds are all technologies that can subvert the colonial machine (la paperson 2017). In the first section, I contextualize my decolonial desires as a non-U.S.-citizen settler Canadian musicologist in the United States. The work of David Garneau, Aileen Moreton-Robinson, Andrea Smith, Eve Tuck, and K. Wayne Yang illuminates my positionality and power. In the second section, I provide an example of one way I’m disrupting the typical curricula and classroom experiences in a Euro-American classical music school. I discuss my course entitled “North American Indigenous Music Seminar” (NAIMS), including the course structure and content, and decolonizing strategies. Student responses to interviews about the course are interspersed with the discussion of my seminar plans and challenges to claims of “decolonization.” Their responses reveal some successes and many limits for anti-colonial and decolonial work in a single-semester course.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.704
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.070
GPT teacher head0.250
Teacher spread0.180 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes2
Has abstractyes

Explore more

Same venueIntersections Canadian Journal of MusicSame topicDiverse Music Education InsightsFrench-language works237,207