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Record W3147572583 · doi:10.1515/9781571136060-016

Thomas Bernhard’s Der Untergeher: Newtonian Realities and Deterministic Chaos

2002· book-chapter· de· W3147572583 on OpenAlex
Willy Riemer

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBoydell and Brewer eBooks · 2002
Typebook-chapter
Languagede
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsArt historyArtPhilosophy

Abstract

fetched live from OpenAlex

Wertheimer war nicht imstande, sich selbst als ein Einmaliges zu sehen, wie es sich jeder leisten kann und mus, will er nicht verzweifeln, gleich was fur ein Mensch, er ist ein einmaliger, sage ich selbst mir immer wieder und bin gerettet. T hree music students , aspiring virtuosos all, become acquainted at a master class of the celebrated pianist Horowitz. The brilliant performance and career of one of them, named after the Canadian pianist Glenn Gould, leaves the ambitions of the other two, Wertheimer and the narrator, in shambles. Der Untergeher consists of complex loops of ruminations in which the narrator tries to come to terms with his role in Wertheimer's suicide and with his own precarious existence after the encounter with Glenn Gould. As with all of Thomas Bernhard's prose, fact and fiction form an explosive composite in a setting notable for its constructedness. An agglomerate of sharp-edged fragments, recognizable and sometimes wildly exaggerated bits of the real world, are designed to appear in the matrix of the text, ready to burst and cut. Comparing venerable institutions to bordellos and their dignitaries to pimps, for example, makes for piquant copy and controversy. In no small measure Thomas Bernhard's notoriety in the popular press stems from realistic readings of such passages in his books. Bernhard's Glenn Gould provides the realistic focus for Der Untergeher . He has so much in common with his famous namesake that some reviews have the real Glenn Gould die at his Steinway while playing Bach's Goldberg Variations — the dramatic death of Bernhard's fictive Gould. In fact, Gould suffered a stroke and died some days later when the life support systems were shut off. Some biographical works on Gould mention this “novel of sorts” for the sake of documentary completeness or to buttress an enthusiasm for Glenn Gould's accomplishments as a concert pianist. Less referential approaches tend to foreground Wertheimer as a tragic figure who fails to achieve artistic perfection. In their quest for meaning, such interpretations illuminate salient aspects of the narrative without, however, engaging its conspicuous structure. Uwe Betz compiles a table of characteristics for the three figures to show that the narrative is constituted of the permutations of their differences and similarities. Such analysis undoubtedly has validity, but it is not clear that it helps the reader in understanding the text better.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.967
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.002
Scholarly communication0.0010.000
Open science0.0000.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0090.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.036
GPT teacher head0.213
Teacher spread0.177 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it