Bibliographic record
Abstract
Symphonic Victimae Paschali Laudes is a work for full orchestra based on the Gregorian chant Victimae Paschali Laudes. The composition is approximately 14’40’’ long and fuses elements of early music (Gregorian chant, organum) and contemporary music (use of extended instrumental techniques, coloristic textures). After a serene Introduction (mm. 1-28) bringing the first notes of the Gregorian chant over harmonics on the strings, the first phrase of the Gregorian chant is presented (mm. 29-43), followed by a harmonic transition and a hectic bridge (mm. 44-75) leading to the presentation of the second phrase of the Gregorian chant (mm. 76-116). Then, sections using ideas from the beginning as well as new ideas take place (mm. 117-330), starting with melodic material from the bridge combined with “intriguing” chords fading in and out. The two first phrases of the Gregorian chant reappear with variations and over different orchestral textures. New melodic material also ensues, and the “intriguing” chords reappear bringing tension. The tension is resolved with the reappearance of the Gregorian chant (mm. 331-end), which now is stated entirely—not only the two first phrases—into a maestoso character, with parallel fifths over pedal notes within a varied orchestration. The final measures of the work (375-end) are based on the words “amen” and “alleluia”. The composition ends in a grandiose but serene manner.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.000 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.002 | 0.001 |
| Open science | 0.000 | 0.003 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.031 | 0.012 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".