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Record W3160435092 · doi:10.18274/pywe7015

The Cult of Shakespeare in Soviet Russia and the Vilified Ophelia

2023· article· en· W3160435092 on OpenAlex
Natalia Khomenko

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueBorrowers and Lenders The Journal of Shakespeare Appropriations · 2023
Typearticle
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsYork University
Fundersnot available
KeywordsCultHistoryAncient historyLiteraturePolitical scienceArt

Abstract

fetched live from OpenAlex

This article examines the representations of Ophelia in Soviet academic and literary texts, as well as in Grigori Kozintsev's internationally renowned film version of Hamlet. Analyzing the Soviet cult of Shakespeare, I argue that Soviet portrayals of Ophelia — ranging from a threatening mechanical creature to a shrinking doll — reflect the difficulty of legitimizing Shakespeare and his plays, even under conditions of strict ideological control. Accepting Shakespeare as a proto-socialist writer, and lauding Hamlet as a people's hero, requires a struggle against the text and a policy of determined misreading. As a disruptive girl character, not easily assimilated into the centralizing force of communist ideology, Ophelia is marginal to the masculine project of state-building into which Shakespeare, and consequently Hamlet, are co-opted. In Soviet portrayals, she embodies the doubt about how Shakespeare's foreign birth and bourgeois origins might affect his potential for properly educating proletarian readers. This representational trend continues beyond the fall of the Soviet Union in 1991; at the same time, post-Soviet women authors query Ophelia's marginal status, using her as a point of entry into the cultural canon.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.509
Threshold uncertainty score0.769

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.021
GPT teacher head0.223
Teacher spread0.202 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it