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Record W3165304969 · doi:10.1215/00138282-8815005

Marseille Exposed

2021· article· en· W3165304969 on OpenAlex
Stephanie J. Brown

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueEnglish Language Notes · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicPostcolonial and Cultural Literary Studies
Canadian institutionsnot available
Fundersnot available
KeywordsRomanceRepresentation (politics)Quarter (Canadian coin)State (computer science)Capital (architecture)Resistance (ecology)Class (philosophy)SociologyHistoryPolitical economyCriminologyGender studiesPolitical scienceArtLawLiteratureComputer scienceArtificial intelligenceArchaeology

Abstract

fetched live from OpenAlex

Abstract This article examines the representation of surveillance in Claude McKay’s Romance in Marseille and the influence of surveillance on the novel’s aesthetics. It uses McKay’s 1929 novel Banjo as a prior representation of Marseille that establishes the historical constraints under which characters in Romance navigate the social world of Quayside, the city’s international working-class quarter. The article argues that McKay depicts an important moment in which state and corporate actors create networks of transnational surveillance that aim at securing an advantageous global distribution of labor for capital. McKay’s novel examines the mechanisms through which surveillance controls the mobility of racialized and gendered bodies, and depicts the strategies of resistance that such characters deploy more and less successfully against these often-violent mechanisms.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.909
Threshold uncertainty score0.995

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0060.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.213
Teacher spread0.195 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it