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Record W3194137069

“Snapshots of Caliban”: Suniti Namjoshi’s ‘Contrapuntal Rewriting’ of The Tempest

2014· article· en· W3194137069 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueLe Simplegadi · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicPostcolonial and Cultural Literary Studies
Canadian institutionsnot available
Fundersnot available
KeywordsTempestSubversionArtPoetryLiteratureArt historyHumanitiesPolitics
DOInot available

Abstract

fetched live from OpenAlex

Abstract: In Culture and Imperialism , Said suggests that Caliban should ally himself with all subjugated people, yet in his works he dedicates little space to differences of gender or sexual orientation. In her cycle of poems “Snapshots of Caliban” (1984), Suniti Namjoshi amplifies Said’s concept of reading contrapuntally by offering a cultural resistance that is at the same time postcolonial, lesbian and feminist. Being at a crossroads of three variables, Namjoshi has a vantage point on imperialism and gives an alternative kind of ‘contrapuntal reading’ that is actually a ‘contrapuntal rewriting’, and therefore fosters new developments and possibilities in postcolonial studies. DOI:- Bibliography: Ahmad, Aijaz. 1992. In Theory: Nations, Classes, Literatures . London-New York: Verso. Aldrich,           Robert.        2003.       Colonialism           and       Homosexuality .            London-New           York: Routledge. Auden, Wystan Hugh. 1968. Collected Longer Poems . London: Faber & Faber. Baski, Parminder Kaur. 1996. Distant Desire: Homoerotic Codes and the Subversion of the English Novel in E.M. Forster ’ s Fiction . New York: Peter Lang. Bono, Paola. 2008. Il Crocevia della Scrittura di Suniti Namjoshi. Suniti Namjoshi & Paola Bono ed. Istantanee di Caliban. Sycorax. Napoli: Liguori Editore, XI-XXVII. Boone, Joseph A. 1995. Vacation Cruises; Or, the Homoerotics of Orientalism. PMLA, 110, 1: 89-107. Cesaire, Aime. 1985. A Tempest. Based on Shakespeare ’ s ‘ The Tempest ’ : Adaptation for a Black Theatre . New York: Ubu Repertory Theater Publications. Cliff, Michelle. 1991. Caliban’s Daughter: The Tempest and the Teapot. Frontiers: A Journal of Women Studies , 12, 2: 36-51. Donaldson, Laura E. 1992. Decolonizing Feminisms: Race, Gender & Empire Building . Chapel Hill: University of North Carolina Press. Doolittle, Hilda. 1949. By Avon River . New York: Macmillan. Fernandez Retamar, Roberto. 1989. Caliban and Other Essays . Minneapolis: University of Minnesota Press. Forster, Edward Morgan. 1988. A Passage to India . London: Penguin. Fraiman, Susan. 1995. Jane Austen and Edward Said: Gender, Culture and Imperialism. Critical Inquiry, 21, 4: 805-821. Greenblatt, Stephen. 1990. Learning to Curse: Essays in Early Modern Culture . London-New York: Routledge. Guarracino, Serena. 2010. Competing Hegemonies: Can Suniti Namjoshi Be Named ‘Black British’? Textus, XXIII: 421-436. Gubar, Susan. 1998. What Ails Feminist Criticism? Critical Enquiry, 24: 878-902. Kanaganayakam, Chelva. 1995. Configurations of Exile: South Asian Writers and their World . Toronto: TSAR Publications. Kaur Baski, Parminder. 1996. Distant Desire: Homoerotic Codes and the Subversion of the English Novel in E.M. Forster ’ s Fiction . New York: Peter Lang. Kincaid. Jamaica. 1997. Annie John . London: Vintage. Lamming, George. 1992. The Pleasures of Exile . Ann Arbor: The University of Michigan Press. Lewis,            Reina.          1996 .          Gendering             Orientalism:            Gender,            Femininity           and Representation . New York:Routledge. Lopez Springfield, Consuelo ed. 1997. Daughters of Caliban: Caribbean Women in the Twentieth Century . Bloomington: Indiana University Press. Mannoni, Octave. 1990. Prospero & Caliban: the Psychology of Colonization . Ann Arbor: The University of Michigan Press. Namjoshi, Suniti. 1981. Feminist Fables . London: Sheba Feminist Publishers. Namjoshi, Suniti. 1984. From the Bedside Book of Nightmares . Fredericton: Fiddlehead Poetry Books/Gooselane Editions. Namjoshi, Suniti. 1989. Because of India: Selected Poems and Fables . London: Onlywomenpress. Namjoshi, Suniti & Gillian Hanscombe. 1991. Who Wrongs You Sappho? - Developing Lesbian Sensibility in the Writing of Lyric Poetry. Jane Aaron & Sylvia Walby ed. Out of the Margins: Women ’ s Studies in the Nineties. London: The Falmer Press, 156-167. Namjoshi, Suniti. 1996. Building Babel . North Melbourne: Spinifex. Namjoshi, Suniti. 2006. Sycorax: New Fables and Poems . New Delhi: Penguin Books India. Rich, Adrienne. 1963 . Snapshots of a Daughter-in-Law: Poems, 1954-1962 . New York: Harper. Rich, Adrienne. 1972. When We Dead Awaken: Writing as Re-Vision . College English, 34, 1: 18-30. Said, Edward. 1993. Culture and Imperialism . New York-London: Vintage. Said, Edward. 2003. Orientalism . London: Penguin. Shakespeare, William. 2000. The Tempest . London: Thomson Learning. Vevaina, Coomi S. 1998. An Interview with Suniti Namjoshi. ARIEL: A Review of International English Literature, 29, 1: 195-201. Warner, Marina. 1992. Indigo, or Mapping the Waters . London: Chatto & Windus. Young, Robert. 1990. White Mythologies: Writing History and the West . London- New York: Routledge.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.964
Threshold uncertainty score0.293

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.173
Teacher spread0.162 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it