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Record W3194243446 · doi:10.1093/isle/isab066

Shimmering in the Swamp: Wetlands, Danger, and Ecological Refractions in<i>Annihilation</i>

2021· article· en· W3194243446 on OpenAlex
Cameron Butler

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

fundA Canadian funder is recorded on the work.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueISLE Interdisciplinary Studies in Literature and Environment · 2021
Typearticle
Languageen
FieldSocial Sciences
TopicGothic Literature and Media Analysis
Canadian institutionsnot available
FundersSocial Sciences and Humanities Research Council of Canada
KeywordsSwampWetlandMarshEcologyAdaptation (eye)SociologyHistoryGeographyBiology

Abstract

fetched live from OpenAlex

Swamps have long been a fruitful setting for horror films. In Creature from the Black Lagoon (1954), Frogs (1972), and The Bay (2012), swamps birth monsters, from giant snakes to microscopic flesh-eating parasites. In part, the swamp as fertile horror setting is a product of the complicated and shifting views North American settlers have held towards wetlands, whether as obstacle and diseased, biodiverse and ecologically productive, and in need of both destruction and conservation. These layered divergent views have refigured wetlands as contradictory spaces where the monstrous can hide. In this article, I explore the 2018 science-fiction horror film Annihilation, Alex Garland’s adaptation of Jeff VanderMeer’s 2014 novel of the same name, to demonstrate how the film deploys the wetland setting as a fluid space which fosters posthumanist entanglements. I focus solely on the film adaptation as opposed to the novel both because I want to situate the film...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.593
Threshold uncertainty score0.365

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.343
Teacher spread0.315 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it