Modernist Fiction and the French Nouveau Roman: Transnational Connections
Bibliographic record
Abstract
Questo saggio propone uno studio comparativo della narrativa modernista e del Nouveau Roman basato su una serie di tratti comuni che permettono di considerare i due fenomeni letterari come manifestazioni di una medesima temperie culturale. Per di piu, la menzione esplicita da parte dei Nouveaux Romanciers dei romanzieri modernisti come illustri precursori evidenzia interessanti parallelismi, nonche un rapporto di continuita. Tale approccio analizza il loro legame in termini di ricezione e assimilazione di un modello, e si presta ad uno studio incrociato dei sorprendenti punti di contatto tra le ricerche della Woolf e della Sarraute contrapposte a quelle, non meno simili, di Joyce e Butor. Bibliografia Angremy, Annie (a cura di). 1995. Nathalie Sarraute. Portrait d ’ un ecrivain . Paris: Bibliotheque Nationale de France. Attridge, Derek. 1995. The Postmodernity of Joyce: Chance, Coincidence, and the Reader. Joyce Studies Annual , 6, 10-18. Bell, Quentin. 1987 (ed. originale 1972). Virginia Woolf. A Biography . Vol. I. London: Grafton Books. Benmussa, Simone. 1987. Nathalie Sarraute: qui e tes-vous? . Lyon: La Manufacture. Butor, Michel. 1960. Degres . Paris: Gallimard. Butor, Michel. 1957. La Modification . Paris: Les Editions de Minuit. Butor, Michel. 1956. L ’ Emploi du temps . Paris: Les Editions de Minuit. Butor, Michel. 1960. Repertoire I . Paris: Les Editions de Minuit. Cagnon, Maurice et Eileen Walvoord. 1992. Le Sentir chez Nathalie Sarraute et Virginia Woolf. Francographies , 1, 93-127. Calin, Francoise. 1976. La Vie retrouve e. Etude de l ’ oeuvre romanesque de Nathalie Sarraute . Paris: Lettres Modernes. Caws, Mary Ann. 2002. A Virginia Woolf, with a French Twist. In Caws, Mary Ann & Nicola Luckhurst (a cura di). The Reception of Virginia Woolf in Europe , 60-67. London and New York: Continuum. Charbonnier, Georges. 1967. Entretiens avec Michel Butor . Paris: Gallimard. Cohn, Ruby. 1964. Nathalie Sarraute et Virginia Woolf: “sisters under the skin”. In Matthews, John (a cura di). Un Nouveau Roman? Recherches et tradition , 167-180. Paris: Lettres Modernes. Cornwell, Ethel. 1977. Virginia Woolf, Nathalie Sarraute & Mary McCarthy: Three Approaches to Character in Modern Fiction. The International Fiction Review , 4, 3- 10. De Labriolle, Josephine. 1985. Le Theme du labyrinthe chez J. Joyce, M. Butor et A. Robbe-Grillet. In Jacquet, Claude (a cura di). Genese et metamorphoses du texte joycien , 229-239. Paris: Publications de la Sorbonne. Derrida, Jacques. 1984. Two Words for Joyce (trad. di Geoffrey Bennington). In Attridge, Derek & Daniel Ferrer (a cura di). Post-Structuralist Joyce. Essays from the French , 145-159. Cambridge: Cambridge University Press. Dettmar, Kevin. 1996. The Illicit Joyce of Postmodernism . Madison: University of Wisconsin Press. Fokkema, Douwe. 1986. The Semantic and Syntactic Organization of Postmodernist Texts. In Fokkema, Douwe & Hans Bertens (a cura di). Approaching Postmodernism , 81-98. Amsterdam and Philadelphia: John Benjamins. French, Marilyn. 1982. Joyce and Language. James Joyce Quarterly : 19, 3, 239-255. Hassan, Ihab. 1975. Paracriticisms. Seven Speculations of the Times . Urbana: University of Illinois Press. Hutcheon, Linda. 1988. A Poetics of Postmodernism. History, Theory, Fiction . New York and London: Routledge. Jefferson, Ann. 1980. The “ Nouveau Roman ” and the Poetics of Fiction . Cambridge: Cambridge University Press. Joyce, James. 1992 (ed. originale 1922). Ulysses . London: Penguin. Kemp, Sandra (a cura di). 1993. Virginia Woolf. Selected Short Stories . London: Penguin. Licari, Carmen. 1985. “Qu’est-ce qu’il y a, qu’est-ce qui s’est passe? Mais rien”. Entretiens avec Nathalie Sarraute. Francofonia , 9, 3-16. Lydon, Mary. 1980. Perpetuum Mobile. A Study of the Novels and Aesthetics of Michel Butor . Alberta: University of Alberta Press. McHale, Brian. 1986. Change of Dominant from Modernist to Postmodernist Writing. In Fokkema, Douwe & Hans Bertens (a cura di). Approaching Postmodernism , 53-79. Amsterdam and Philadelphia: John Benjamins. Noel, Roger. 1970. Nathalie Sarraute’s Criticism of Virginia Woolf. Revue des langues vivantes , 36, 266-271. O’Neill, Patrick. 2004. French Joyce: Portrait of an Oeuvre. In Lernout, Geert & Wim Van Mierlo (a cura di). The Reception of James Joyce in Europe . Vol. II, 411-421. London and New York: Continuum. Olivier Bell, Ann & Andrew McNeillie (a cura di). 1982 (prima ed. 1980). The Diary of Virginia Woolf . Vol. III. London: Penguin. Pellan, Francoise. 2002. Translating Virginia Woolf into French. In Caws, Mary Ann & Nicola Luckhurst (a cura di). The Reception of Virginia Woolf in Europe , 54-59. London and New York: Continuum. Richardson, Brian. 2000. The Genealogies of Ulysses , the Invention of Postmodernism, and the Narratives of Literary History. English Literary History : 67, 4, 1035-1054. Rickard, John. 1999. Joyce ’ s Book of Memory. The Mnemotechnic of “ Ulysses ” . Durham and London: Duke University Press. Riquelme, John Paul. 1983. Teller and Tale in Joyce ’ s Fiction. Oscillating Perspectives . Baltimore: Johns Hopkins University Press. Santschi, Madeleine. 1982. Voyage avec Michel Butor . Lausanne: L’Âge d’Homme. Sarraute, Nathalie. 1983. Enfance . Paris: Gallimard. Sarraute, Nathalie. 1968. Entre la vie et la mort . Paris: Gallimard. Sarraute, Nathalie. 1956. L’E re du soup c on. Essais sur le roman par Nathalie Sarraute . Paris: Gallimard. Sarraute, Nathalie. 1963. Les Fruits d ’ or . Paris: Gallimard. Sarraute, Nathalie. 1996. Oeuvres completes . Edition publiee sous la direction de Jean-Yves Tadie. Paris: Gallimard. Sarraute, Nathalie. 1957 (prima ed. 1939). Tropismes . Paris: Les Editions de Minuit. Sheehan, Paul. 2002. Modernism, Narrative and Humanism .Cambridge: Cambridge University Press. Slote, Sam. 2004. “Apres mot, le deluge” 1: Critical Response to Joyce in France. In Lernout, Geert & Wim Van Mierlo (a cura di). The Reception of James Joyce in Europe . Vol. II, 362-381. London and New York: Continuum. Slote, Sam. 2004. “Apres mot, le deluge” 2: Literary and Theoretical Responses to Joyce in France. In Lernout, Geert & Wim Van Mierlo (a cura di). The Reception of James Joyce in Europe . Vol. II, 382-410. London and New York: Continuum. Villelaur, Ann. 1961. Interview avec Nathalie Sarraute: Virginia Woolf ou la visionnaire du “maintenant”. Les Lettres Francaises , 882, 1-3. Villeneuve, Pierre-Eric. 2002. Virginia Woolf among Writers and Critics: the French Intellectual Scene. In Caws, Mary Ann & Nicola Luckhurst (a cura di). The Reception of Virginia Woolf in Europe , 19-38. London and New York: Continuum. Waugh, Patricia. 1984. Metafiction. The Theory and Practice of Self-Conscious Fiction . London and New York: Methuen. Woolf, Virginia. 1966. Collected Essays . Vol. II. A cura di Leonard Woolf. London: Chatto & Windus. Woolf, Virginia. 1989 (ed. originale 1976). Moments of Being . A cura di Jeanne Schulkind. London: Grafton Books. Woolf, Virginia. 1931. The Waves . London: The Hogarth Press.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.009 | 0.015 |
| Scholarly communication | 0.008 | 0.005 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.012 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".