MétaCan
Menu
Back to cohort
Record W3198793247 · doi:10.1002/rev3.3267

A scoping review of research that examines El Sistema and Sistema‐inspired music education programmes

2021· review· en· W3198793247 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueReview of Education · 2021
Typereview
Languageen
FieldArts and Humanities
TopicDiverse Music Education Insights
Canadian institutionsQueen's University
FundersFaculty of Education, Queensland University of Technology
KeywordsExcellenceInclusion (mineral)Context (archaeology)CurriculumPsychologyPedagogyMusicalSociologyPolitical scienceSocial psychology

Abstract

fetched live from OpenAlex

Abstract Dominant discourses promote El Sistema and Sistema‐inspired music education programmes as positively transforming young lives through social inclusion and musical excellence. However, critics have raised concerns that the El Sistema model has little support from objective, evidence‐based research. To address this issue, the authors conducted a review of peer‐reviewed articles published in English between 2010 and 2020, in order to bring together descriptions and findings of research examining El Sistema and Sistema‐inspired programmes. Following a scoping review method, the authors identified 30 relevant articles for detailed review. The reported studies were identified to address programme impacts (including musical growth, academic achievement, cognitive development, and social‐emotional development) and programme design (e.g., pedagogical approaches, curricular focus, and programme challenges). Reported research methods included randomised control trials, longitudinal randomised studies, qualitative interview studies, a quasi‐experimental pre‐post design study, and ethnographic studies. Overall, the results of this scoping review strongly suggest that Sistema‐inspired music education programmes have great potential for positively impacting students, particularly in terms of musical and social‐emotional development, with less convincing but nevertheless reasonable evidence of increased academic achievement and cognitive development. The authors conclude that realising the potential of El Sistema and Sistema‐inspired programming requires context‐ and student‐specific teaching, curricula, and community support. Context and implications Rationale for this study Dominant discourses promote El Sistema and Sistema‐inspired music education as positively transforming young lives through social inclusion and musical excellence. However, critics have raised concerns that the Sistema model has little support from objective, evidence‐based research. To find out what existing research has actually revealed, a review was conducted of peer‐reviewed articles published in English between 2010 and 2020, bringing together descriptions and findings of research that has examined El Sistema and Sistema‐inspired programming. Why the new findings matter This review provides clear details of research that reports both the benefits and limitations of Sistema music education in terms of program impacts and program design. Implications for policy and practice Results suggest that Sistema music education has great potential for positively impacting students, particularly in terms of musical and social‐emotional development, with less convincing but some evidence of increased academic achievement and cognitive development. Accordingly, policymakers would do well to focus advocacy and improvement efforts on social‐emotional benefits. Findings suggest Sistema educators would do well to adopt more learner‐centred approaches, particularly those that promote self‐expression, creativity, and agency; resist the privileging of Eurocentric music traditions; actively value and celebrate diverse musics, backgrounds, and cultural expressions; and bring teaching methods in line with contemporary K‐12 and community music education practices.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Systematic review · Consensus signal: Systematic review
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.478
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0030.001
Bibliometrics0.0010.001
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.361
GPT teacher head0.466
Teacher spread0.105 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it