MétaCan
Menu
Back to cohort
Record W3200349413 · doi:10.1525/jams.2021.74.2.449

<i>Class, Control, and Classical Music</i>, by Anna Bull

2021· article· en· W3200349413 on OpenAlexaboutno aff
Juliet Hess

Bibliographic record

VenueJournal of the American Musicological Society · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Music Education Insights
Canadian institutionsnot available
Fundersnot available
KeywordsIconMusicalMusic educationCitationMusic historyPopular musicArtVisual artsSociologyHistoryMedia studiesLawPolitical scienceComputer science

Abstract

fetched live from OpenAlex

Book Review| August 01 2021 Class, Control, and Classical Music, by Anna Bull Class, Control, and Classical Music, by AnnaBull. New York: Oxford University Press, 2020. xxx, 232 pp. Juliet Hess Juliet Hess JULIET HESS is Associate Professor of Music Education at Michigan State University, having previously taught public school music in Toronto. Her book Music Education for Social Change: Constructing an Activist Music Education (Routledge, 2019) explores activism, critical pedagogy, and music education. Her research interests include anti-oppression education, trauma-informed pedagogy, musical activism, and ethics in world music study. Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2021) 74 (2): 449–454. https://doi.org/10.1525/jams.2021.74.2.449 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Juliet Hess; Class, Control, and Classical Music, by Anna Bull. Journal of the American Musicological Society 1 August 2021; 74 (2): 449–454. doi: https://doi.org/10.1525/jams.2021.74.2.449 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentJournal of the American Musicological Society Search In Class, Control, and Classical Music, Anna Bull poses a key question to classical music stakeholders: “how are musical institutions, practices, and aesthetics shaped by wider conditions of economic inequality, and in what ways might music enable and entrench such inequalities or work against them?” (p. 1) Through ethnography and careful historical analysis, she interrogates youth classical music programs and explores how they participate in class reproduction, the formation of middle-class selfhood, and classed boundary-drawing. As a music education scholar, I appreciate the considerable extent to which Bull’s observations, which predominantly target music education, draw upon literature outside the field to produce a robust call to action. She purposefully draws... © 2021 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.2021American Musicological Society You do not currently have access to this content.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.049
Threshold uncertainty score0.097

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0070.013
Scholarly communication0.0080.008
Open science0.0020.004
Research integrity0.0020.005
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.033
GPT teacher head0.230
Teacher spread0.197 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2021
Admission routes1
Has abstractyes

Explore more

Same venueJournal of the American Musicological SocietySame topicDiverse Music Education InsightsFrench-language works237,207