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Record W3208147921 · doi:10.3138/ctr.188.009

Theatre as Service … My Experience During the Global Pandemic in Canada

2021· article· en· W3208147921 on OpenAlexvenueaboutno aff
Taiwo Afolabi

Bibliographic record

VenueCanadian Theatre Review · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsInjusticeScholarshipIndigenousPower (physics)PandemicSociologyMedia studiesIdentity (music)Gender studiesPolitical sciencePublic relationsEnvironmental ethicsAestheticsLawCoronavirus disease 2019 (COVID-19)Art

Abstract

fetched live from OpenAlex

Perhaps the global pandemic (COVID-19) and the death of George Floyd have brought an immense, drastic, and unprecedented turn in human history. Many disciplines are now being intentional about asking critical and ethical questions around race, identity, social justice representation, and systemic change. The same is true for theatre and performance. While events in 2020 stretched and burdened racialized bodies, they also provided opportunities for many racialized bodies to be recognized perhaps because of their knowledge, experiences, identities, and the power and privileges they hold or do not hold. As an African in the Canadian theatre sector and scholarship, I acted in different capacities to address systemic injustice in Canada’s theatre scene during the pandemic. For instance, I co-facilitated some sessions with colleagues from Indigenous, Black, and People of Colour (IBPoC) community for the purpose of creating space for dialogue on issues of concern to this community. In this article, I reflect on how the pandemic produced an initiative that has the potential to address leadership challenges within the performing arts sector.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.108
Threshold uncertainty score0.784

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0060.010
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.005
Science and technology studies0.0210.010
Scholarly communication0.0100.002
Open science0.0030.005
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0130.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.238
Teacher spread0.216 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations8
Published2021
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207