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Record W3211804274

"Peter and Wendy" (Book Design)

2021· article· en· W3211804274 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueStudent Research Proceedings · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicArchitecture, Design, and Social History
Canadian institutionsMacEwan University
Fundersnot available
KeywordsTypographyArt historyArtAdventureVisual artsReading (process)TypefaceStyle (visual arts)CraftCharacter (mathematics)LiteraturePhilosophy
DOInot available

Abstract

fetched live from OpenAlex

Peter and Wendy (also known as the Boy Who Wouldn’t Grow Up or Peter Pan) is the story of a mischievous little boy who can fly, and his adventures on the island of Neverland with Wendy Darling and her brothers, the fairy Tinker Bell, the Lost Boys, the princess Tiger Lily, and the pirate Captain Hook. This classic tale touches on the importance of cherished memories, the innocence of friendship as well as the bittersweet feeling of growing up. Peter and Wendy is a well-loved story that is reinterpreted to be reached by wider audiences. The inspiration for the interior and exterior came from a passion for vintage typography and whimsical art. The intention was to marry decorative type with engaging and textured visuals. The book’s illustrations are appropriate for all ages, but there is an emphasis on drawing a more adolescent audience to reading this particular version of the story of Peter and Wendy. Because Peter and Wendy is a traditional book, the changes within the interior itself were minor details, such as font size and placement of headers and footers. The most important part of the interior design was the layout of the chapter numbers and titles. This version of Peter and Wendy incorporates illustrations with both a sketched and lino cut quality to compliment the elegant type. The publication’s illustrations and typography blend to appeal to a modern audience, but still pay homage to the original. The illustrations resemble those that could have been scrawled by the main character, Wendy, as she recalls her adventures with Peter and the Lost Boys in Neverland. Wendy Darling is known to be a very creative and talented girl, shown several times throughout the story as she enjoys spending time sewing and repairing clothing for Peter and the Lost Boys. The illustrations throughout the book represent Wendy’s meticulous nature, while still capturing a more juvenile aesthetic. The imagery in the book is presented as more of a documentation of Wendy’s experiences, rather than an outside party’s interpretation. Each typeface plays an important role throughout the cover and interior of the book. The typeface Fire Flight is used to represent both Wendy and the extraordinary adventures she has in Neverland. The ornate, decorative typeface is also used as the main type for chapter titles, sparking interest and intrigue in the reader. Fire Flight works well in conjunction with the book’s illustrations. The ornate and whimsical design of the Fire Flight typeface, along with a comfortable body copy and engaging visuals combine in order to create dynamic transitions that keep the reader engaged from start to finish. Department: Design Studies  Faculty Mentor: Constanza Pacher

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.767
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.192
GPT teacher head0.374
Teacher spread0.182 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it