MétaCan
Menu
Back to cohort
Record W3211830373 · doi:10.30535/mto.27.3.12

Review of John Paul Ito, <i>Focal Impulse Theory: Musical Expression, Meter, and the Body</i> (Indiana University Press, 2020)

2021· article· en· W3211830373 on OpenAlexaff
Jonathan De Souza

Bibliographic record

VenueMusic Theory Online · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsWestern University
Fundersnot available
KeywordsImpulse (physics)MusicalMusical expressionArtExpression (computer science)Art historyLiteratureComputer sciencePhysicsClassical mechanicsProgramming language

Abstract

fetched live from OpenAlex

Example 1 presents the beginning of the Loure from Johann Sebastian Bach's Partita No. 3 for Solo Violin. With this movement, there seem to be two main performance traditions. Jascha Heifetz (1952, Audio Example 1) represents one approach, along with Itzhak Perlman Sergiu Luca (1977, Audio Example 2) represents another, along with Suyoen How can we compare these interpretations? We might start from individual musical elements: Heifetz's articulation is more legato, Luca's tempo is slightly faster, and so forth. Alternatively, we might consider the overall character of these performances. As I hear it, Heifetz's is more stately, while Luca's is more dance-like, in keeping with descriptions of the loure as a slow gigue (Little 2001). Similarly, one YouTube viewer appreciates Hahn's interpretation for its "tenderness," though Shaham's is "maybe more FUN" (simiamens n.d.). But how can we connect the performances' musical details to these expressive qualities? John Paul Ito's new book offers a principled way to integrate these levels, based on performers' bodily movement. For Ito, these interpretive traditions differ in their placement of focal impulses.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.634
Threshold uncertainty score0.991

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0100.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.204
Teacher spread0.190 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2021
Admission routes1
Has abstractyes

Explore more

Same venueMusic Theory OnlineSame topicMusic History and CultureFrench-language works237,207