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Cross-Cultural Similarities and Differences

2010· book-chapter· en· W328236478 on OpenAlexaff
William Forde Thompson, Laura-Lee Balkwill

Bibliographic record

Venuenot available
Typebook-chapter
Languageen
FieldNeuroscience
TopicNeuroscience and Music Perception
Canadian institutionsQueen's University
Fundersnot available
KeywordsGeography

Abstract

fetched live from OpenAlex

Abstract This chapter reviews empirical studies of music and emotion that involve a cross-cultural comparison, and outlines prevailing views on the implications of such studies. It begins by discussing some theoretical implications of research on cross-cultural commonalities in the association between music and emotion. Section 27.2 reviews the central questions arising from cross-cultural research on emotion. Section 27.3 outlines the cue-redundancy model, developed to account for cross-cultural similarities and differences in the expression and recognition of emotion in music. Section 27.4 presents a broader framework for summarizing existing data on emotional communication, referred to as fractionating emotional systems (FES). FES extend the cue-redundancy model by accounting for similarities and differences in emotional communication, not only across cultures but also across the auditory channels of music and speech prosody. Section 27.5 reviews cross-cultural studies of music and emotion, while section 27.6 reviews cross-cultural studies of emotion in speech. Section 27.7 identifies some future prospects for the cross-cultural study of music and emotion.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.773
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.002
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.076
GPT teacher head0.311
Teacher spread0.235 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designBench or experimental
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations100
Published2010
Admission routes1
Has abstractyes

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