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Record W366185792

Terence Koh : love for eternity

2009· book· en· W366185792 on OpenAlex
Terence Koh, Museo de Arte Contemporáneo de Castilla y León

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueHatje Cantz eBooks · 2009
Typebook
Languageen
FieldArts and Humanities
TopicSpanish Culture and Identity
Canadian institutionsnot available
Fundersnot available
KeywordsEternityArtSensibilityPunkArt historyExhibitionQueerThe artsVisual artsLiteratureSociology
DOInot available

Abstract

fetched live from OpenAlex

Prior to his 2007 Whitney Museum exhibition, Canadian-born, New York-based artist Terence Koh (originally known as Asian Punk Boy) quipped, Being in the Whitney is like having this huge magnifying glass shining on you, if I fail, I fail spectacularly in front of the whole art world. That in a way relieves the pressure, because either way, the splatter will be beautiful. As Asian Punk Boy, Koh became known for his perversely cute website and zines infused with a queer punk sensibility. Published concurrently with the exhibition Terence Koh: Love for Eternity at Spain's Museo de Arte Contempor neo de Castilla y Le n (MUSAC), this is the artist's first substantial monograph; it includes an in-depth interview with international curator-critic Hans Ulrich Obrist and essays by Bill Arning, Curator of the MIT List Visual Arts Center, MUSAC Chief Curator Agustin P rez Rubio and artist Cerith Wyn Evans.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.146
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.047
GPT teacher head0.228
Teacher spread0.181 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it