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Record W4206405061 · doi:10.1353/wlt.2015.0279

Granada, Spain

2015· article· en· W4206405061 on OpenAlexaboutno aff
Arthur Dixon

Bibliographic record

VenueWorld Literature Today · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Studies of Medieval Iberia
Canadian institutionsnot available
Fundersnot available
KeywordsBeautyStress (linguistics)ArtMetaphorArchitectureQuarter (Canadian coin)JudaismHistoryArt historyLiteratureAncient historyVisual artsPhilosophyArchaeologyTheologyAestheticsLinguistics

Abstract

fetched live from OpenAlex

WORLDLITERATURETODAY.ORG 5 Notebook A GRANADA IN SPANISH IS a pomegranate in English, and I can’t think of a better metaphor for Granada: just as a pomegranate is packed with sweet, juicy seeds, Granada is packed with histories, stories, people, and places that make it a unique literary attraction. I lived there in 2014; the city left its mark. A city in Andalusia, Spain’s southern province, Granada is simultaneously welcoming and challenging to newcomers. Any student of Spanish who has visited—as well as a good many Spaniards—can attest to the unintelligibility of granadino Spanish at first contact. Sentences are compressed into split-second outbursts, and sounds are persistently “eaten” in the local dialect. There’s a particular aversion to the letter “d”—a true granadina from Granada will always identify herself as a granaína from Graná. The city itself can be as confusing as the accent, but also just as endearing. Countless writers have praised the beauty of Granada’s architecture, with the ethereal Alhambra a constant reminder of the city’s Islamic past. The streets themselves are a testament to a complex history. Wandering through the alleyways of the Realejo (the old Jewish quarter), I would often dip down an unknown route only to turn up in a familiar plaza. Granada may take pedestrians on roundabout paths, but it has the courtesy to drop them off somewhere they know. One such plaza was the Plaza BibRambla , a major site of the city’s literary history. In 1502, a decade after the Christian reconquest of Granada, soldiers of the Inquisition piled mountains of Arabic texts in the square and set them alight, hoping to eliminate the language of Islam along with the religion itself. Some Christians, reluctant to destroy such beautiful objects, dropped a few volumes by the doors of the city’s residents, and secret libraries sprung up that would keep a culture alive, if only as a shadow of its former self. Granada now stands as an international capital of poetry. The charming house of Federico García Lorca reminds visitors of his towering presence in his native region, and his verses seem manifested in the ironrailed balconies and the low ebb of the Río Genil. García Lorca would be delighted by the city’s current literary culture: it hosts a Feria del Libro and the Festival Internacional de Poesía every May. During the Feria, bookshops set up stands along the sidewalks against a background of jazz, and passers-by peruse their wares, chatting about new authors. Granada offers free tapas with any drink, an invigorating nightlife (a club called Mae West is the envy of Spanish discotecas ), and inviting cafés (I suggest a spot called Damasqueros, or the requisite Café Fútbol on Plaza Mariana Pineda). The city is literary and historical, sweet and sour, and alluringly unpredictable. As a traveler hoping to return, I know the pomegranate still holds plenty of seeds I’ve yet to taste. Arthur Dixon is interested in history, language, translation, and comic books. city profile Granada, Spain by Arthur Dixon photo : pilar flores WHAT TO READ IN THE PLAZA BIB-RAMBLA Tariq Ali, Shadows of the Pomegranate Tree Gerald Brenen, South from Granada Federico García Lorca, Collected Poems Washington Irving, Tales of the Alhambra Andrés Neuman, Traveler of the Century Chris Stewart, Driving Over Lemons ...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.803
Threshold uncertainty score0.280

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0030.003
Science and technology studies0.0010.001
Scholarly communication0.0070.003
Open science0.0010.003
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.8030.692

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.224
Teacher spread0.191 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2015
Admission routes1
Has abstractyes

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Same venueWorld Literature TodaySame topicHistorical Studies of Medieval IberiaFrench-language works237,207