Bibliographic record
Abstract
For information about the scope of this column, consult the headnote in the September 2004 issue (p. 154 of this volume). English Ain't it funny? A tribute to Willie Nelson. Cincinnati, OH: Texas Monthly Books, c2005. 143 p. ISBN 1578601495. LC 2005921516. Akins, Thomas. Crescendo 75: Indianapolis Symphony Orchestra, 1930–2005. Indianapolis: Indiana Symphony Society, c2004. 150 p. LC 2005-299301. Alberts, Al. Al's song: the words and music of my world. Port Charlotte, FL: Harmony House, c2004. xvi, 335 p. LC 2005-277270. Anderton, Craig. Sonar 2. Bremen, Germany: Wizoo; New York: Exclusive distrbs., Music Sales, c2002. 62 p. + 1 CDROM. ISBN 0825627176. LC 2004-484400. Wizoo quick start Andrews, Elizabeth. Muscle management for musicians. Lanham, MD: Scarecrow Press, 2005. viii, 292 p. ISBN 0810851342 (pbk.: alk. paper). LC 2004-013781. Aoyagi, Hiroshi. Islands of eight million smiles: idol performance and symbolic production in contemporary Japan. Cambridge, MA: Harvard University Asia Center: distrb. by Harvard University Press, 2005. xvi, 290 p. ISBN 0674017730 (hbk.: alk. paper). LC 2004-030643. Harvard East Asian monographs, 252 Atlantic City Pop Festival: in loving memory of Jerry Spivak, August 1–2–3, 1969, Atlantic City Race Track, Atlantic City, New Jersey, produced by the Electric Factory. Atlantic City, NJ: S.A. Kaplan, c2004. 32 p. LC 2005-274695. Ball, Katie. Any cool music? Orlando, FL: Knowles Redd Pub., c2004. 172 p. + 1 CDROM. ISBN 0974557900. LC 2003-099482. Baron, Greg. Backstage: where high-tech and low-life collide. Bloomington, IN: AuthorHouse, c2004. x, 80 p. ISBN 1414039247 (e). ISBN 141844104X (pbk.: alk. paper). LC 2004-098863. Barsky, Vladimir, et al. "Ex oriente -II": nine composers from the former USSR: Valentin Silvestrov, Roman Ledenyov, Faraj Karayev, Victor Ekimovsky, Nikolai Karetnikov, Alemdar Karamanov, Vladimir Tarnopolsky, Sergei Slonimsky, Andrei Volkonsky. Trans. by Romela Kohanovskaya. Ed. by Valeria Tsenova. Berlin: E. Kuhn, 2003. vii, 245 p. ISBN 3928864912 (pbk.). LC 2005-433779. Studia slavica musicologica, Bd. 30 Barsky, Vladimir, et al. Ex oriente.-III: eight composers from the former USSR: Philip Gershkovich, Boris Tishchenko, Leonid Grabovsky, Alexander Knaifel, Vladislav Shoot, Alexander Vustin, Alexander Raskatov, Sergei Pavlenko. Trans. by Romela Kohanovskaya. Ed. by Valeria Tsenova. Berlin: Verlag Ernst Kuhn, 2003. viii, 206 p. ISBN 3928864920. LC 2005-433791. Studia Slavica musicologica, Bd. 31 Bedford, David, and Harvey Sawler. On the road with Dutch Mason. Halifax, N.S.: Nimbus, c2005. iv, 202 p. ISBN 1551095106. LC 2005-360033. Begault, Durand, R., ed. An anthology of articles on spatial sound techniques. New York: Audio Engineering Society, 2004-. ISBN 0937803537 (pt. 1). LC 2004-114099. An anthology of articles on spatial sound techniques, part 1: virtual and binaural audio technologies Bent, Ian, ed. Music analysis in the nineteenth century. Cambridge; New York: Cambridge University Press, 2004–. 2 vols. ISBN 0521611903 (pbk.; v. 1). LC 2005-275526. Cambridge readings in the literature of music Berger, Anna Maria Busse. Medieval music and the art of memory. Berkeley: University [End Page 735] of California Press, c2005. xvi, 288 p. ISBN 0520240286 (hbk.: alk. paper). LC 2004016542. Berger, Karol. Musica ficta: theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge; New York: Cambridge University Press, 2004. 266 p. ISBN 052154338X. LC 2005-278672. Bielefeldt, Catherine C. The wonders of the piano: the anatomy of the instrument. 3d ed. Wood Dale, IL: W. Anton, 2004. vii, 141 p. ISBN 0974622303. LC 2005-276455. Biles, Jan, and Jane Cigard. The Lied Center of Kansas, 1903, 1993, 2003: A history of the Lied Center and concert series at the University of Kansas. Lawrence, KS: Tim Van Leer, c2004. 46 p. LC 2005-279242. Black, Bob. Come hither to go yonder: playing bluegrass with Bill Monroe. Foreword by Neil V. Rosenberg. Urbana; Chicago: University of Illinois Press, c2005. xi, 188 p. ISBN 0252030028 (hbk.: alk. paper). ISBN 025207243X (pbk.: alk. paper). LC 2004-030071. Music in American life Blejwas, Stanislaus A. The Polish Singers Alliance of America, 1888–1998: choral patriotism. Rochester, NY: University of Rochester Press, 2005. xxviii, 351 p...
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.002 | 0.001 |
| Bibliometrics | 0.004 | 0.007 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.010 | 0.005 |
| Open science | 0.002 | 0.003 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.871 | 0.863 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; the direct Gemma label and the distilled Codex classifier agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".