MétaCan
Menu
Back to cohort

Virtual Dystopia

2013· book· en· W4230563200 on OpenAlexaff
Andrea Hunter, Vincent Mosco

Bibliographic record

VenueOxford University Press eBooks · 2013
Typebook
Languageen
FieldArts and Humanities
TopicUtopian, Dystopian, and Speculative Fiction
Canadian institutionsQueen's University
Fundersnot available
KeywordsDystopiaSublimeVisionAestheticsTranscendence (philosophy)PleasureUtopiaArtPhilosophyArt historyEpistemologyLiteraturePsychology

Abstract

fetched live from OpenAlex

Abstract This chapter addresses the allure of virtual dystopias and their connection to the sublime. Normally considered repellant rather than compelling, virtual dystopias owe their attraction to the sublime transcendence they offer. Beauty invokes pleasure and identification, while the sublime, through terror and shock, forces one to grapple with the unknown and with the nature of existence. The sublime has often been associated with nature, but more recently has been connected to the digital world and visions of cyberspace. Virtual dystopias offer a type of sublime transcendence that allows people to confront terror and horror, without “actually” having to experience it. However, the relationship between virtual dystopia and reality is complex and porous. These themes are explored through exemplars from three different media spanning three decades of computer-inspired virtuality: William Gibson’s novel Mona Lisa Overdrive, the film Inception, and the multiplayer online game World of Warcraft.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.030
Threshold uncertainty score0.101

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0030.008
Scholarly communication0.0060.005
Open science0.0010.004
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0300.004

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.028
GPT teacher head0.182
Teacher spread0.154 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2013
Admission routes1
Has abstractyes

Explore more

Same venueOxford University Press eBooksSame topicUtopian, Dystopian, and Speculative FictionFrench-language works237,207