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Record W4232699485 · doi:10.3138/utq.79.3.941

Opera as Translation: Ezra Pound's <i>Le Testament</i>

2010· article· en· W4232699485 on OpenAlexvenueno aff
Kimberly Fairbrother Canton

Bibliographic record

VenueUniversity of Toronto Quarterly · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryPound (networking)LiteratureOperaArtPhilosophyStyle (visual arts)

Abstract

fetched live from OpenAlex

In Ezra Pound's Le Testament, the first of his three operatic compositions, the relentless drive for linguistic precision is undermined by an ironic recourse to the imprecise, even mystical, signifying capacity of music and rhythm. Given Pound's lifelong engagement with translation, it is likely not surprising that his turn to opera was essentially literary in purpose, serving the poet as a means to ‘translate’ the category of poetic language he termed melopoeia (in this case, François Villon's Le Testament). What is surprising, however – particularly given Pound's notorious fascist sympathies and his own esoteric poetic style – is Pound's determination to make this poetry accessible, intellectually and materially. Though Le Testament unapologetically valorizes Villon's poems for their unique difficulty, the use of opera (and later radio opera) as the means of translation reflects Pound's desire to make Villon's poetry ‘sing’ to the masses – calling into question the common conflation of modernist difficulty with modernist elitism.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.896
Threshold uncertainty score0.985

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0150.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.194
Teacher spread0.183 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

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