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2017· book-chapter· en· W4233160003 on OpenAlexaff
Stephen Guy‐Bray

Bibliographic record

VenueOxford University Press eBooks · 2017
Typebook-chapter
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsLiteraturePrestigePoetryRepresentation (politics)Relation (database)ArtHistoryPerformance artArt historyPhilosophyLinguisticsPolitics

Abstract

fetched live from OpenAlex

Abstract This chapter examines the use of a variety of sources by English playwrights during the late sixteenth and early seventeenth centuries, including historical chronicles, English and classical poetry, Italian novelle, and books and pamphlets about current events. More specifically, it considers the question of what playwrights thought they were doing when they adapted the texts of classical poetry to a new theatrical medium, which even they understood to be a mode of representation with lower prestige. It highlights moments of ‘meta-adaptation’ and discusses three plays in which both the process of adaptation and the question of the relation between dramatic and non-dramatic literature figure prominently: Christopher Marlowe’s Dido, Queen of Carthage; Ben Jonson’s Poetaster; and William Shakespeare and George Wilkins’s Pericles.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.325
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.006
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0040.005
Science and technology studies0.0020.001
Scholarly communication0.0070.004
Open science0.0020.004
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.6750.465

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.049
GPT teacher head0.201
Teacher spread0.152 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2017
Admission routes1
Has abstractyes

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