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Record W4233457562 · doi:10.1086/707357

Contributors

2019· article· en· W4233457562 on OpenAlexaboutno aff

Bibliographic record

VenueRes Anthropology and Aesthetics · 2019
Typearticle
Languageen
FieldMedicine
TopicLegal Cases and Commentary
Canadian institutionsnot available
Fundersnot available
KeywordsCentennialThe artsArt historyHistoryCommonwealthClassicsAnthropologyArtSociologyArchaeologyVisual arts

Abstract

fetched live from OpenAlex

Previous article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreROBERTO CALASSO is President and CEO of Adelphi Edizioni.JOYCE SUECHUN CHENG is Associate Professor, Department of the History of Art and Architecture, University of Oregon.OSWALDO CHINCHILLA MAZARIEGOS is Associate Professor of Anthropology, Yale University.SARAH C. CLAYTON is Associate Professor of Anthropology, University of Wisconsin–Madison.THOMAS CUMMINS is Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University.ALESSIA FRASSANI is an independent scholar working in Latin America.JULIA GUERNSEY is D. J. Sibley Family Centennial Faculty Fellow in Prehistoric Art, University of Texas at Austin.CHRISTINE M. E. GUTH is an independent scholar based in Somerville, Massachusetts.CHRISTINA T. HALPERIN is Associate Professor of Anthropology, University of Montreal.STEPHEN HOUSTON is Dupee Family Professor of Social Sciences and Chair of the Department of Anthropology, Brown University.FREDRIKA H. JACOBS is Professor Emerita, Virginia Commonwealth University.NATHANIEL B. JONES is Assistant Professor of Art History and Archaeology, Washington University in St. Louis.RÉMI LABRUSSE is Professor of Art History, Université Paris Nanterre.ESTELLE LINGO is Professor of Early Modern European Art, University of Washington, Seattle.SABINA LORIGA is Directrice d’Études, École des Hautes Études en Sciences Sociales, Paris.MICHAEL LOVE is Professor of Anthropology, California State University, Northridge.RISHAM MAJEED is Assistant Professor of Art History, Ithaca College.CLEMENTE MARCONI is James R. McCredie Professor of Greek Art and Archaeology and University Professor, Institute of Fine Arts, New York University, and Professore Ordinario di Archeologia Classica, Dipartimento di Beni Culturali e Ambientali, Università degli Studi di Milano.MALLORY E. MATSUMOTO is a PhD candidate in the Department of Anthropology at Brown University.MARY MILLER is Director of the Getty Research Institute.FELIPE PEREDA is Fernando Zóbel de Ayala Professor, Department of History of Art and Architecture, Harvard University.LORENZO PERICOLO is Head of the Department of Art History and Member of the Academic Senate, University of Warwick.GIANCARLA PERITI is Associate Professor of Italian Renaissance Art, University of Toronto.WOLFRAM PICHLER is Professor of Art History, University of Vienna.CHRISTINE POGGI is Judy and Michael Steinhardt Director and Professor of Fine Arts, Institute of Fine Arts, New York University.CARLO SEVERI is Professor of Social Anthropology, École des Hautes Études en Sciences Sociales, and Member of the Laboratoire d’Anthropologie Sociale, Collège de France, Paris.JUSTIN WILLSON is a PhD candidate in the Department of Art and Archaeology at Princeton University. Previous article DetailsFiguresReferencesCited by Res Volume 71-72Spring-Autumn 2019 Published in association with the Peabody Museum of Archaeology and Ethnology, Harvard University Article DOIhttps://doi.org/10.1086/707357 Copyright © 2019 by the President and Fellows of Harvard College. All rights reserved. No part of this issue may be reproduced without permission of the publisher.PDF download Crossref reports no articles citing this article.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.009
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.829
Threshold uncertainty score0.244

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.009
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0040.003
Science and technology studies0.0030.001
Scholarly communication0.0080.005
Open science0.0020.004
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.8290.686

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.007
GPT teacher head0.279
Teacher spread0.272 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2019
Admission routes1
Has abstractyes

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