Reviews: The Future of Environmental Criticism: Environmental Crisis and Literary Imagination, History, Historians and Autobiography, Making History: An Introduction to the History and Practices of a Discipline, Practicing History: New Directions in Historical Writing after the Linguistic Turn, Early Modern Tragedy and the Cinema of Violence., Renaissance England's Chief Rabbi: John Selden, Marriage Relationships in Tudor Political Drama, Print Culture and the Early Quakers, Wordsworth in American Literary Culture, British Women Writers and the French Revolution: Citizens of the World, the Afterlife of Character, 1726–1826, We Met Morris: Interviews with William Morris, 1885–96, George Gissing: Voices of the Unclassed, Grant Allen: Literature and Cultural Politics at the Fin de Siecle, British Aestheticism and the Urban Working Classes, 1870–1900: Beauty for the People, Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War, 1914–1918, Suffrage Discourse in Britain during the First World War, Clifford Geertz by His ColleaguesBuellLawrence, <i>The Future of Environmental Criticism: Environmental Crisis and Literary Imagination</i> , Blackwell Publishing, 2005, pp. x + 195, £45, £14.99 pb.PopkinJeremy D., <i>History, Historians and Autobiography</i> , University of Chicago Press, 2005, pp. x + 339, £22.50.LambertPeter and SchofieldPhillipp (eds), <i>Making History: An Introduction to the history and practices of a discipline</i> , Routledge, 2004, pp. x310, £16.99 pbSpiegelGabrielle M., <i>Practicing History: New Directions in Historical Writing after the Linguistic Turn</i> , Routledge, 2005, pp. xiv + 274, £18.99 pb.SimkinStevie, <i>Early Modern Tragedy and the Cinema of Violence</i> .Palgrave, 2006, pp. viii +264, £45.RosenblattJason P., <i>Renaissance England's Chief Rabbi: John Selden</i> , Oxford University Press, 2006, pp. ix + 314, £60.WinkelmanMichael A., <i>Marriage Relationships in Tudor Political Drama</i> , Studies in Performance and Early Modern Drama, Ashgate, 2005. pp. xxix + 234, £45.PetersKate, <i>Print Culture and the Early Quakers</i> , Cambridge University Press, 2005, pp. xiii + 273, £45.PaceJoel and ScottMatthew (eds), <i>Wordsworth in American Literary Culture</i> , Palgrave Macmillan, 2005, pp. xx + 248, £45.CraciunAdriana, <i>British Women Writers and the French Revolution: Citizens of the World</i> , Palgrave Macmillan, 2005, pp. xii + 225, £45.BrewerDavid A., <i>The Afterlife of Character, 1726–1826</i> , University of Pennsylvania Press, 2005, pp. x + 262, £39.PinkneyTony (ed.), <i>We Met Morris: Interviews with William Morris, 1885–96</i> , Spire Books in association with the William Morris Society, 2005. pp. 144, $40.RyleMartin and BourneJenny (eds), <i>George Gissing: Voices of the Unclassed</i> , Ashgate, 2005, pp x + 164, £40.GreensladeWilliam and RodgersTerence (eds), <i>Grant Allen: Literature and Cultural Politics at the Fin de Siecle</i> , Ashgate, 2005 pp. 262, £47.50MaltzDiana, <i>British Aestheticism and the Urban Working Classes, 1870–1900: Beauty for the People</i> , Palgrave, 2006, pp. 290, £52.PotterJane, <i>Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War, 1914–1918</i> , Clarendon Press, 2005, pp. ix + 257, £50SmithAngela, <i>Suffrage Discourse in Britain during the First World War</i> , Ashgate, 2005, pp. 153, £40.SchwederRichard A. and GoodByron (eds), <i>Clifford Geertz by his Colleagues</i> , University of Chicago Press, 2005, pp. 160, PB, $15.00.
Bibliographic record
Abstract
No abstract. This is not a gap in this database; OpenAlex has none either. 23.3% of the frame is in this state, and the screen finds HALF as much metaresearch here, so the absence is a measured bias rather than a missing field.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.011 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.002 | 0.001 |
| Bibliometrics | 0.006 | 0.010 |
| Science and technology studies | 0.002 | 0.003 |
| Scholarly communication | 0.008 | 0.007 |
| Open science | 0.002 | 0.003 |
| Research integrity | 0.004 | 0.004 |
| Insufficient payload (model declined to judge) | 0.023 | 0.010 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".