Bibliographic record
Abstract
Distant Voices, Still Lives , (1988) UK Director Terence Davies Screenplay Terence Davies Producer Jennifer Howarth, Colin MacCabe Cinematography William Diver, Patrick Duval Editor William Diver Production Design Jocelyn James, Miki Van Zwanenberg Art Direction Miki Van Zwanenberg, Jocelyn James Costume Design Monica Howe Make-up Lesley Rouvray Sound Alex Mackie, Aad Wirtz Camera Operator Harriet Cox Title Designer Richard Morrison With Freda Dowie (Mother), Pete Postlethwaite (Father), Angela Walsh (Eileen), Dean Williams (Tony), Lorraine Ashbourne (Maisie), Sally Davies (Eileen as a child), Nathan Walsh (Tony as a child), Susan Flanagan (Maisie as a child), Michael Starke (Dave), Vincent Maguire (George), Antonia Mallen (Rose), Debi Jones (Micky), Chris Darwin (Red), Marie Jelliman (Jingles), Andrew Schofield (Les) Production Companies British Film Institute, Channel Four Films Runtime 80 minutes DVD UK, 2007 Distributed by BFI Video (region 2, PAL) Aspect Ratio 1.78:1 Sound Mix Dolby Digital 2.0 English Extras English subtitles. Full-feature commentary by Terence Davies. Filmed interviews with Terence Davies, Miki van Zwanenberg. Original trailer. 20-page illustrated booklet including film stills, storyboard frames, essays by Beryl Bainbridge and Adrian Danks, and an original review by Adam Barker for Monthly Film Bulletin . DVD Producer Caroline Millar Technical Production James White Production Manager Marianthi Makra A Cottage On Dartmoor (1929) UK, black and white, silent with music Director Anthony Asquith Based on the story by Herbert C. Price Producer Bruce H. Woolfe Director of photography Stanley Rodwell, Axel Lindblom Art Direction Ian Campbell-Gray, Arthur Woods with Uno Henning, Norah Baring, Hans Schlettow Runtime 84 minutes DVD UK (2008) Produced and Distributed by BFI (Region 2) Aspect Ratio 1.33:1 OAR Sound Mix Dolby Digital 2.0 stereo Extras Correct frame rate of 22fps. New musical accompaniment composed and performed by Stephen Horne. Insight , onset study of Asquith (Lee, UK, 1960, 15m). Rush Hour (Asquith, UK, 1941, 6m). Illustrated booklet with original press photographs and new essays by Geoffrey Macnab and Briony Dixon.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.018 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".