Exile of the Beat King: Eden, Moloch, and the Mythic American Journeys of Jack Kerouac
Bibliographic record
Abstract
Maynard argues that Kerouac’s relationship with exile extends beyond On The Road, a novel that has been read in many ways, ranging from an American travelogue to a psychological portrait of postwar U.S. In his essay, Maynard tracks the cultural influence of On The Road. He addresses the uncomfortable mythologization of Kerouac’s novel as a fiction of psychological exile and examines the implications of a narrative in which the author himself becomes a fictional character. Maynard argumenta que la relación de Kerouac con el exilio se extiende más que en On The Road, una novela que ha sido leída desde muchos puntos de vista, en los límites de una película de viaje americana a un retrato psicológico de los EEUU posguerra. En su ensayo, Maynard considera la influencia cultural de On The Road. Se dirige a la mitologicación incómoda de la novela de Kerouac como ficción del exilio psicológico y examina las implicaciones de una narrativa en la cual el autor mismo se convierte en un personaje ficticio. Maynard argumenta que a relação de Kerouac com exílio estende-se acima de On The Road, uma novela que tem sido interpretado de muitas maneiras distintas, entre elas como uma crónica de viagem americana a um retrato psicológico dos E.U. na pós-guerra. Em seu trabalho, Maynard considera a influência cultural de On The Road. Ele considera a mitologização incómoda da novela de Kerouac como uma ficção de exilo psicológico e examina as implicações duma narrativa em que o autor mesmo chega a ser pessoa fictícia. Maynard affirme que la relation de Kerouac avec l’exil va au-delà de son roman On The Road, qui a été interprété de plusieurs manières, allant du récit de voyage américain au portrait psychologique des Etats-Unis d’après-guerre. Dans son essai, Maynard part à la recherche de l’influence culturelle de On The Road. Il pose le problème de la mythification gênante du roman de Kerouac comme la fiction d’un exil psychologique, et il examine les implications d’un récit dans lequel l’auteur lui-même devient un caractère fictif.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.018 | 0.014 |
| Scholarly communication | 0.006 | 0.005 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.002 | 0.007 |
| Insufficient payload (model declined to judge) | 0.003 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".