Bibliographic record
Abstract
From the beginning of the performance, the hall is particularly dark, hermetically obscure.The dancers Emmanuel Proulx and Elise Bergeron also accompany this darkness.He has his eyes closed and she has her hair forward, covering her face.In this dark atmosphere, Chaleur Humaine begins with her standing, nude but wrapped in a piece of white transparent fabric.He is at her side, nude as well, kneeling, breathing heavily at the height of her legs.One sees a first movement, the breath coming out of his mouth, which is drawn on her body, as a thermal trace.Small colored waves appear, coming out of his mouth.He slowly begins to touch her with his left hand.The hand travels carefully over the legs towards the stomach, leaving a red mark behind, a luminescent trace of heat.The dancers begin to touch each other, receiving at the same time, projected on their own bodies, the light and colors of their own intimacy.The luminescent colors of the traces of touch constantly change, creating a colorful atmosphere.From the darkness, one observes the intensity of this proximity, the temperature, and the affection of this erotic closeness that emerges from the increasing contact with the skin.One observes it through the vibration of a haptic and colorful light, where the invisible traces of the intensity of touching and its temperature acquire a luminescent materiality.This is how colors begin to dance within a haptic constellation, where the different dimensions of the sense of touch -like a sensitive and an affective dimension -are intertwined through a luminescent choreography.Chaleur Humaine, created by Canadian image and movement artist Stphane Gladyzewski, was presented at the 2017 international festival for contemporary dance in Munich. 1 With two nude bodies on stage, the performance explores the relationship between the sense of touch and eroticism, desire and pleasure, approaching the sensual intensity of a caress whose traces materialize in luminescent and colorful waves of temperature.With a thermal camera (also known as
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.002 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.005 | 0.003 |
| Scholarly communication | 0.006 | 0.003 |
| Open science | 0.001 | 0.005 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.210 | 0.072 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".