Céline MORIN (2017), Les héroïnes de séries américaines de Ma sorcière bien-aimée à The Good Wife
Why is this work in the frame?
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
No Canadian affiliation. An affiliation-only frame — the usual design — would never have seen this work. It is one of the works that make the case for inverting the frame.
The three-model screen
all 1,000 screened works →All three models called this out of scope.
Book review on heroines of American TV series; media and gender studies commentary.
This analyzes female protagonists in American television series, not the research system.
Book review of American television heroines; media/cultural studies, not research systems.
Abstract
De Samantha Stephens (Bewitched, ABC, 1964-1972) à Alicia Florrick (The Good Wife, CBS, 2009-2016), la condition féminine a-t-elle évolué dans les séries américaines ? Du fait de la vocation commerciale de la télévision, qui s’attache d’abord à cibler les « ménagères », de nombreuses femmes ont été les héroïnes des fictions sérielles télévisuelles, depuis la première sitcom I love Lucy (CBS, 1951-1957) jusqu’à Sex and the City (HBO, 1998-2004). Mais s’il peut sembler évident que ces deux séri...
Stored with the screening record, where it is evidence for the labels above.
The record
- Venue
- Communication
- Topic
- Canadian Identity and History
- Field
- Social Sciences
- Canadian institutions
- —
- Funders
- —
- Keywords
- MorinHumanitiesLine (geometry)ArtPhilosophyMathematicsMedicineGeometry
- Has abstract in OpenAlex
- yes