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Record W4237871048 · doi:10.7202/1072517ar

Coloured Nude: Fetishization, Disguise, Dichotomy

2020· article· fr· W4237871048 on OpenAlexaffvenue
Charmaine A. Nelson

Bibliographic record

VenueRACAR Revue d art canadienne · 2020
Typearticle
Languagefr
FieldSocial Sciences
TopicHistorical Gender and Feminism Studies
Canadian institutionsQueen's University
Fundersnot available
KeywordsArtHumanitiesArt history

Abstract

fetched live from OpenAlex

Les représentations de femmes noires dans l’art occidental déflent toute classification facile. Les catégories traditionnelles du nu (« nude/naked ») en histoire de l’art, fondées sur un discours psychanalytique européocentrique et sur des normes colonialistes de beauté et de comportement sexuel sont inaptes à transiger avec la complexité de la représentation du corps de la femme noire. Cette représentation a connu historiquement une double fétichisation, fondée à la fois sur une perception d’un manque racial et sexuel. Le Nu de couleur , 1932, de Dorothy Stevens est symptomatique de cette fétichisation unique, état qui reste indicatif du positionnement de la « femme noire » comme l’autre de la féminité blanche idéalisée. Pendant que Nu de couleur situe la « femme noire » comme étant sexuellement agressive, exotique et hors norme, les nus féminins contemporains apparemment inoffensifs révèlent une tradition d’opposition délibérément fondée sur la race.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.021
Threshold uncertainty score0.043

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.037
Scholarly communication0.0050.003
Open science0.0000.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.041
GPT teacher head0.243
Teacher spread0.202 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2020
Admission routes2
Has abstractyes

Explore more

Same venueRACAR Revue d art canadienneSame topicHistorical Gender and Feminism StudiesFrench-language works237,207