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<scp>M</scp> arsh, <scp>R</scp> ichard

2012· other· en· W4243795369 on OpenAlexaboutno aff
Nicholas Daly

Bibliographic record

VenueThe Encyclopedia of the Gothic · 2012
Typeother
Languageen
FieldSocial Sciences
TopicGothic Literature and Media Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsPseudonymPrisonBiographyPlot (graphics)Quarter (Canadian coin)ArtHistoryLegendMarshLiteratureArt historyPhilosophyArchaeologyTheology

Abstract

fetched live from OpenAlex

Richard Marsh (1857–1915) was the pseudonym under which Richard Bernard Heldmann published most of his work. While he is best known for his supernatural thriller of 1897, The Beetle , he was a prolific author of fiction in various popular modes, including school stories and novels of mystery and crime. Heldmann's own life story is not without its own enigmas and plot‐twists. It was not until Robert Aickman, his grandson, published his autobiography in 1966 that it became widely known that Heldmann and Marsh were the same man. (Aickman himself also wrote supernatural fiction, and was the editor of the several editions of the Fontana Book of Great Ghost Stories ). It is only in the last few years with the availability of state records and other resources online that it has emerged that the most likely reason for Heldmann's adoption of a pseudonym in 1892 was that he had been convicted of obtaining goods and money by false pretences at the Quarter Sessions at Maidstone, Kent on April 9, 1884, and sentenced to eighteen months in prison (Capture of a Forger at Tenby, 1884). (As late as 2004, when the Broadview edition of The Beetle appeared, the motivation for his second career under the name Marsh was obscure.) Heldmann was imprisoned for a minor crime spree that saw him use assumed names to live lavishly in various parts of the country. From 1880–3 he had also been writing school stories and novels, and his shorter works appeared in the boys' magazine, Union Jack , where he was also associate editor (with G. A Henty) from 1882. Upon his release he resumed his writing career, but did not publish his first novel under his new name, The Devil's Diamond , until 1893. From this period he began to churn out short and longer fiction at an impressive rate, sometimes publishing several novels a year: for example, in the same year that The Beetle appeared (1897) he also published three other novels. His short novels were well‐suited to the changing publishing market, in which people were buying single‐volume novels rather than renting three‐deckers. Published in colorful pictorial boards by such firms as Ward Lock, his “shilling shockers” were calculated to appeal to the browsing eye. Like other Victorian authors, Marsh made his work pay by serializing the novels before volume publication; Tom Ossington's Ghost (1898), for example, was serialized earlier that year in the Ipswich Journal as the Ossington Mystery . His shorter fiction was tailored to the proliferating light‐reading magazines of the period, such as the Strand , the Windsor , and the Idler , and he republished some of this work in such collections as Curios (1899) and Marvels and Mysteries (1900).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.216
Threshold uncertainty score0.723

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.001
Scholarly communication0.0040.002
Open science0.0010.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.2160.095

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.012
GPT teacher head0.258
Teacher spread0.246 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2012
Admission routes1
Has abstractyes

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