Index

Citation (2019), "Index", Holland, S., Shail, R. and Gerrard, S. (Ed.) Gender and Contemporary Horror in Film (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Bingley, pp. 251-261. https://doi.org/10.1108/978-1-78769-897-020191017 Publisher: Emerald Publishing Limited Copyright © Editorial matter and selection the volume editors; individual chapters their respective authors, 2019 INDEX Abjection, 151–165 “Abortion Barbie”, 87 Adrift (2009), 174 After School web forum, 86 Afterlife (2010), 210, 214–215 Ahlbäck, Anders, 24 Albrecht, Michael, 24 Alien 3 (1992), 206 Alien franchise (1979–2017), 206 Alien: Resurrection (1997), 206 Aliens (1986), 206 All-hands-on-deck approach, 111 American Girls: Social Media and Secret Lives of Teenagers (2017), 86 American Horror Story (2011–present), 8 Ammar , 156 The Ancines Woods (1970), 44 Apocalypse , 188, 210, 215 Atomic Blonde (2017), 219 Audition (1999), 8 The Avengers Assemble (2012), 208 Azazil , 156 Baena-Cuder, Irene, 39–50 Bait-and-switch technique, 135, 140 Balingit, Moriah, 86 Berns, Fernando Gabriel Pagnoni, 23–34 Bersani, Leo, 103 Bezm-i Ezel , 156 Bizarre and uncanny incidents, 136 Black Christmas (1974), 2, 108–109, 227 Black Magic, 159 Black masculinity, 237–250 Black XXXmas , 105–106, 108–109 The Blair Witch Project (1999), 2 Blakk, Jett, 105, 113 Bogliano, Adrián García, 23, 28, 169 Bonesaw (2006), 105, 112–113 Botting, Fred, 144 Boy Crush (boycrush.com), 107 Brazilian films, 174 Brennan, Joseph, 101–113 Brown, Jennifer, 67 Bruno, John, 105 Bubba Ho-Tep (2002), 23–34 Bull, 30 Elvis, 28–29, 31–32, 34–35 Griffin, 31 horror elegies, 26–33 Jack, 31 Kemosabe, 32–33 nursing homes, 26, 30 Presley, Elvis, 23 The Burial: A Fragment/Fragment of a Novel , 118 BuzzFeed , 87 Byronic vampire, 118 Byzantium (2012), 117–122, 124–131 Clara, 117–120, 122, 124, 126–130 critical intertextuality and, 117–119 Eleanor, 117–120, 122, 124–126, 128–129 employs names from foundational works, 118 examine through lens of feminist postmodern theory, 117–118 patriarchal dominance, 119 relationship between mother and daughter vampires, 117 trace-like intertextuality of, 118 vampire fiction, 117 The Cabin in the Woods (2012), 88–90, 93–94, 97, 118, 227 Curt, 91 Dana, 89–90, 94 Jules, 91 Camp Bloodbath (1986), 227–231 Cannibalism, 67–68, 71–79 humanity, 67 woman, 77 Cannes Film Festival, 55 Cannes International Film Festival (2008), 15 Cannibalism, 53, 55, 57–58, 63 Captivity , 187–204 Carmilla , 118 Carpenter, John, 110 Carrie (1976), 176 Carson, Biz, 86 Casino Royale (2006), 192 Catalysts, 151 Ceberrut , 156 Charlie’s Angels Natalie, Dylan and Alex (2000), 207 Chodorow, Nancy, 17 Christian iconography, 154 Chul-soo, Paul, 73 Çığlık , 153 Cinema, 151 abortion, 152 female labour, 152 genres, 151 homosexuality, 152 melodramas, 151 movements, 151 prostitution, 152 socio-realism, 151 styles, 151 Cinema du corps , 54–56, 58, 60–62 Clover, Carol J., 2, 16, 57, 90, 92 Collections, 172 Commentary, 187–204 The Conjuring , 1 Constable, Catherine, 117–119 Cream for Me , 105, 110 Creed, Barbara, 57 Criminal, 159 Crimson Peak (2015), 146 Crouching Tiger, Hidden Dragon (2000), 207 Crystal Lake, 110–111 Cult cinema, 170 Cutthroat Island (1995), 219 Dabbe , 156 Daninsky, Waldemar, 40 Dans ma peau (2002), 53–54, 58–60 Esther, 59–60 mind/body divide, 59 Vincent, 59 Dark Spells (2006), 155 Darvell, 118–119 Daughters of Darkness (1971), 127–128 Davidson, Judith, 86 Dawn of the Dead (1978), 2 De Niro, Robert, 188 The Dead Don’t Talk (1970), 154 Death and Diagonal Display: Cinema’s Planned Obsolescence in Screen-captured Image, 91 Deccal , 156 DeCoteau David, 104 The Deer Hunter , 188 Degli-Eposti, Christina, 117 Demons (1985), 228 Denis, Claire, 55–58 Denny, Mathew, 117–131 Deviant masculinity, 25–26 The Devil’s Rejects (2005), 191 Devil’s seed, 159 Dia de los muertos mask, 177 Die Hard (1988–2013), 205 Dissecting Depictions, 237–250 Doane’s terminology, 140 Doppelgänger, 144 Doreste, Peter Noel, 91 Dracula in Istanbul (1953), 153–154 Dragonwyck (1946), 136–137 Dressed to Kill (1980), 87 Ducournau, Julia, 53, 55, 77 Dyer, Richard, 102–103, 106 Dysfunctional masculinity, 24 El Bosque del Lobo (1970), 44 Elegiac masculinities, 34 Elegy, 27, 33–34 Elliott, Robert, 87 Emergence of a bourgeois class, 151 Entertainment Weekly , 195 Escoffier, Jeffrey, 102, 105 Etheredge-Ouzts, Paul, 104 Euro-American horror films, 154 The Evil Dead (1981), 219 The Exorcist (1973), 19, 154 Extinction (2007), 210, 214 Facebook, 85–86, 88, 94–95 False consciousness, 141 Female cannibal, 53–55, 67–69, 71, 73, 75, 79 incest, 71–73 patriarchal family, 72 rape/abuse by family member, 71–72 sexual objects to sexual subjects, 73 Female Gothic, 133–149 Female protagonists, 133 Female vampire, 117 Feminism, 67–71, 79 Feminist Rhetoric in Digital Sphere, 87 Filth, 159 The Final Chapter (2016), 210, 214–215 The Final Girls (2015), 110–111, 193–200, 219–235 film theory, 227 intertextuality, 227 metalanguage, 227 Firmly set, 134 First Blood (1982), 205 The Force Awakens , 219 Foronda, Diego, 23–34 Four notorious homophobes, 112 Franco’s Fascist dictatorship, 39 The Frankenstein Book Series , 153 Freudian feminist melodrama, 135 Friday the 13th (2009, original 1980), 105, 220 Fuder, Frank, 105 The Facility, 89, 94 Gaslight (1944), 135–136, 142, 144 Gay porn parodies, 101–104 amateurish production style, 105 close readings, 104–105 dangers of, 112–113 erotic adaptation, 104 extremely common device, 102 full-fledged adaptation, 102, 106 gay culture, 102 homophobic viewers, 102 meta-activity of, 104 narrative vs sex, 105–106 pay-per-scene revenue streams, 106 poor acting-accruement, 105 pornification of gay culture, 102–103 potential of, 113 riff-to-spoof categories, 105 self-reflexivity of, 101–102, 104 transformation of structure of, 106 treasure trove of titles, 103 Gay sex, 113 GAYVN Video Awards (2004), 101 Gender Ideologies, 169–185 Gendered Violence Outside and Inside, 187–204 Genre and Gender Conventions, 219–235 Genz, Stephanie, 70 Gerontologists, 25 Gerrard, Steve, 1 Get Out (2017), 237–250 black boyhood, 243–244 breaking barriers for black men in horror, 244–245 horror and the gaze, 238–239 horrors of racism, 239–240 humanity of black men in horror, 241–243 introduction, 237–238 racism of horror, 240–241 respectability politics, 245–247 theoretical framework, 238–241 vulnerability, 243–244 Ghost story, 135 Ghostbusters (1984), 219 Gill, Rosalind, 69, 73 A Girl Walks Home Alone at Night (2014), 187 The Girl with the Dragon Tattoo (2009), 207 Goddard, Drew, 89 Golden age, 7 Good Neighbor policy, 171 Gothic feminism, 135 Gothic novel, 135 ambiguity, 139 central feature, 139 Gothics, 135 Grabby Awards (2004), 101 Grave (2016), 53–55, 60–64 Alex, 54, 61–64 Creed’s discussion on, 63 Justine, 53, 61–64 unruly bodies, 60–64 Grogan, Christine, 72 The Guardian , 191 Guess Who’s Coming to Dinner (1967), 238 Guest, Kristen, 68 Gül (Canan Perver), 154 Habit, 195 Hadley, Steve, 89 Halloween (2007, original 1978), 90, 110–111, 220, 227 Halloweiner: Friday Fuckteenth , 105, 110–111 Hamad, Hannah, 33 Hard Core , 103 Hardwicke, Catherine, 104 Hart, Lynda, 73 Haunted Media: Electronic Presence from Telegraphy to Television , 93 Haunted (2007), 151–165 Hawkes, Rebecca, 19 Hegemonic masculinity, 23–26 Hell’s Creatures , 40–41 Hellbent (2004), 104 Hereditary (2018), 7 Herring, Scott, 103 Heteronormative relationships, 74 Heteroporn culture, 102 Hitchcock, Alfred, 87 Hoca, character of, 154, 160 The Hole (2002), 101–102, 111 Holland, Samantha, 1–4 Hollows, Joanne, 69 Hopkins, Stephen, 108 Horner, Avril, 72 Horror, 88, 94, 97 Alex, 94 bodies, 7–84 boundaries, 85–168 cannibal, 67 captivity, 169–250 Cat, 95–96 Harry, 94 polyemic, 103 queerness in, 101, 103–104 social media, 85 specificity of, 101 Subkoff, 94, 96 torture the woman , 87 Hostel (2005, 2007, 2011), 8, 103, 176, 191 Hounds of Love (2016), 192 The Human Centipede (2009), 8 The Hunger Games (2012), 219 The Hunger Games series, 207 Hunks on Haunted Hill (2000), 110 I Spit on Your Grave (1978; 2010), 176 Ichi the Killer (2009), 8 Ideological function, 140 Imagines things, 136 Incestuous abuse, 71–73, 76, 79 Industrialization, 151 Inside (2007), 10–15, 19–20 Bustillo and Mary, 10–15 Creed, 15 Jean-Pierre, 10, 12, 14 La Femme, 11, 13–14 Matthieu, 10 Sarah, 10–14 Instagram, 85, 87–89, 94 Institutions, 173 Intertextuality, 117–120, 123–124, 126–127, 130–131 Invasion USA (1985), 205 Islamic cosmology, 155 Islamic imagery, 154 It (2017), 7 James Hong, 86 Jancovich, Mark, 135 Javier Pulido, Javier, 40 Jaws (1975), 87 Jigsaw (2017), 191 Jim Young’s Hot or Not, 86 Jinn, 155–156 Joffe, Roland, 188 Juventudes , 40 Kawin, Bruce F., 135 Kay, Andy, 105 Kazıklı Voyvoda (The Voivode with the Stakes, 1928), 153 Kennedy, David, 27, 34 Kenny, Bryan, 105 Kick-Ass (2010), 207 The Killing Fields (1984), 188 King, Claire Sisco, 104 Krueger, Freddy, 107–108 L’arrivée d’un train à la Ciotat (1895), 228 La Noche de Walpurgis/Werewolf Versus Vampire Woman (1970), 44 Lane, Liz, 87 Lara Croft Tomb Raider-The Cradle of Life (2003), 207 Lara Croft: Tomb Raider (2001), 207 LaRue, Chi Chi, 105 The Last House on the Left (1972; 2009), 176 Late Phases (2014), 23–34 Ambrose, 23, 26, 28–29, 31–32, 34–35 Father Roger, 34 horror elegies, 26–33 Victoria, 30 Will, 28 Latin American ‘Abduction’ Horror, 169–185 gender ideologies, 175–176 gender roles in US Horror, 165–171 hybridity, 171–174 Luna de Miel , 178–180 reconfigured feminist reading, 174–175 Scherzo Diabolico , 176–178 serious cinema, 169 Sudor Frío , 180–182 supernatural, 169 Law Abiding Citizen (2009), 192 Lázaro-Reboll, 40 Le Manoir du Diable (1896), 7 Leo Gabriadze, Leo, 91 Les Yeux Sans Visage, 16–17 Linda, Hutcheon, 120, 122, 124–125, 127, 129–130 Lobos de Arga , 43–49 Calisto, 45 Daninsky, Waldemar, 46, 48 Evaristo, 47–48 fight between werewolves and urban men, 49 la Santa Compaña (ghosts), 43 lobishome (werewolves), 43 lycanthropy, 43 Mario, 45, 49 Meigas (witches), 43 Ourense, Galicia, 43 Robal, Bernárdez, 46 Secun de la Rosa, 46 soft male characters, 46 Spain’s past, 47 Tomás, 44–49 Lobos de Arga, aka Game of Werewolves (2011), 43 López, Diego, 40 Luna de Miel (2015), 169, 176, 178–180 Lycanthropes or lobishome , 41, 43, 44, 48, 49 Machismo , 169 ‘The Male Gaze’, 208 Male Gothic, 135 Mardorossian, Carine, 33 Marginalia , 95 Marid , 156 The Mark of the Wolfman , 50 Martyrs (2009), 15–20 Anna, 15–20 Laugier, 16 Lucie, 15–20 Mademoiselle, 16–17 Masculinity, 151–165 Masculinity, 39 Matellano, Víctor, 40 The Matrix (1999), 207 Meditation, 27 Men, Women, and Chain Saws (2015), 90, 219 Mestizaje , 172, 174 Metalinguistic Play, 219–235 Meyer, Michael, 90 Mihrez , 156 Miller, Kate, 87 Mise-en-scène , 102 Misery (1990), 176 Misogyny, 187–204 The Mission (1986), 188 Missy , 69 Mixed Martial Arts (MMA), 241 MMA. See Mixed Martial Arts Moers, Ellen, 134 The Moment of Psycho , 87 Monster, 159 Monstrous body, 151 Monstrous-feminine, 151–165 The Monstrous-Feminine , 93 The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993), 13 Morrison, Todd, G., 106 Mother! (2017), 192 Mulvey, Laura, 2 Munford, Rebecca, 70 My Name Is Alice, 205–217 character arc, 211–217 character physical presence, 211–217 mise-en-scene , 211 The Mysteries of Uldopho (1794), 142 A Nightmare on Elm Street 5: The Dream Child , 108 A Nightmare on Elm Street (1984), 8, 227 A Nightmare on Twink Street , 105–107 National masculinity, 33–35 National-Catholic regime, 39 Negra, Diana, 24, 68–69 Neighbouring Sounds , 174 Neo-Gothic, 137 Neo-slasher period, 220 New French Extremity, 8–10 New Nightmare (1994), 220 New Technologies, 169–185 New York Magazine , 189 Nills, Afton, 104 Normal masculinity, 25 Norris, Chuck, 205 Objectification, 67, 71, 73–75, 77–79 Ocean’s 8 (2018), 219 Oldboy , 8 Older and narrower concept, 24 The Omen (1976), 19 The Orphanage (2007), 146 The Others (2001), 146 Ottoman Empire, 153–154, 160 Oxford Dictionary of Film Studies , 8 Özgüç, 152 Palma, Brian De, 87 Palmer, Tim, 8 Parody, 102–103 sex and violence, 111 twink porn, 106–109 Paranoid woman’s film, 135, 140 Parodies, 101–113 The Passion of Joan of Arc (1928), 75 The Passion of the Christ (2004), 189 Patriarchal control, 135 Patriarchal power, 40, 119, 128 Patriarchy, 169 Phalange’s and Roman Catholic principles, 39 Phallic weaponry, 227 Pièce de résistance, 112 Pizarro, David, 40 Planet Terror (2007), 174 Pleasantville (1998), 228 The Pointed Nails of Justice, 119 Political Islam, 156 Pollidori, John, 118 Poltergeist (1982), 228 Pornography horror films vs., 113 ‘shock’, 113 Possessions and psychoses, 176 Postfeminist era, 67 cannibal, 67 consumptions, 69–70 empowerment and choice, 70 feminism power, 70–71 gender-based violence and abuse, 70 gothic conventions, 70–71 tensions, 67–68, 70–71, 76–77, 79 Postmodern theory, 117 abbreviated, artificial characterization, 118 comparatively narration, 118 female voice and storytelling, 119 self-reflexive spectacle, 118 strategies of disruption, 117 stylistic features of, 117 Post-slasher period, 220 Predator (1987), 205–206 Predator 2 (1990), 206 Priests, 159 The Problem with Twinks (2017), 106 Pro-Islamist Welfare Party (RP), 156 Protective paternalism, 33 Psycho (1960), 87, 94, 178–179 Psychokiller, 227 Pulido, Javier, 42 The Purge , 1 The Purple Rose of Cairo (1985), 228 Quandt, James, 8 Quod erat demonstrandum , 227 Qur’an, 154, 156, 160 Radcliffe, Ann, 133, 135 Age of Enlightenment, 141 the fantastic-uncanny, 141 Rambo III (1988), 205 Rambo: First Blood Part II (1985), 205 Rammer , 105, 112 Rammer and Bonesaw , 110 Raw (2017), 77–79, 187 Justine, 77–79, 79 Alex, 77, 79 Adrien, 78 Raw I , 105–106, 108 Raw II , 105–106, 108 Rebecca (1940), 135, 137, 142 Danvers, 138–139, 142 symptoms, 140 Winter, de Maxim, 137, 139–140 The Reproduction of Mothering: Psychoanalysis and Sociology of Gender (1999), 17 Resident Evil films, 205–218 overview of films, 211 Retribution , 210, 214–215 The Ring (2002), 101 Ringu , 101 Roman Catholic church, 39 Romasanta, Manuel Blanco, 43 Rosemary’s Baby (1968), 19 The Ruins (2008), 191 Russell, Kurt, 205 Ruthuven, 118–119 A Serbian Film (2010), 8 Sales, Nancy Jo, 86 Satan (1975), 154 Saturday Night Live cast, 219 Savella, 119–120 Saw (2004), 176, 191 Saw , 1, 8, 108, 111 Scared Stiff (2016), 105 The Scarlet Letter (1995), 188–189 Scary Movie 2 (2001), 241 Scherzo Diabolico , 169, 176–178 Schwarzenegger, Arnold, 205 Scognamillo, Giovanni, 155 Scream , 1, 110, 118, 153 Scream 4 (2011), 192 Scream franchise (1996, 1997, 2000, 2011), 220 Seagal, Steven, 205 Second nature, 195 Secret Beyond the Door (1948), 135 Self-reflexivity, 117–124 Selfveillance, 85–98 Semum , 156 Sexting: Gender and Teens , 86 Şeytan-ı Racim , 156 Shadow Makers (1989), 188 Shail, Rob, 1 Shelton, Emily, 105 Sherlock Jr. (1924), 228 Siccin , 156 The Silence of the Lambs (1991), 176 Silverman, Kaja, 25 Sinsiran , 156 Sitterson, Gary, 89 Skye, Angel, 105, 111 Skype, 88, 91–92 Slasher and ‘torture porn’ cycles, 101, 103 Sleep, My Love (1948), 135–136, 142, 144 Snelson, 41 Snipes, Wesley, 205 Social media, 85 body-shaming, 87 bullying, 86, 89, 91–93, 97 media and communication activities, 85 online harassment, 85 patriarchal structures and attitudes, 87 proclivity toward young girls and women, 86 sexualization and categorization of women, 86 slut shaming, 87 zero accountability of, 86 Social Realities, 169–185 Sorcerers, 159 Spaghetti western, 153 Spanish Civil War, 39, 50 Spanish horror boom, 41–42 Spectral femininity, 141 Spielberg, Steven, 87 The Spiral Staircase (1946), 135 Stallone, Sylvester, 205 Star Wars sequel, 219 Stolz, Eric, 28 Subkoff, Tara, 94 Subordinate masculinity, 25 Sudor Frío (2011), 169, 176, 180–182 Supernatural, 133–149 Surelick Holmes , 103 Surveillance, 85–98 Tatar, 144 Tekin, Galip, 155 The Terminator (1984), 205 Terminator 2: Judgement Day (1991), 206 Terrible Place, 2, 227 Territory, 172 The Texas Chainsaw Massacre (1974), 176 There’s a ghost in my house, 133–149 The Thing (1982), 206 This Night I’ll Possess Your Corpse (1967), 176 Thomson, David, 87 Thor (2011), 208 301/302 (1995), 73–75 flashbacks, 74 incestuous abuse, 74–75 Kang, 73–74 monstrous power, 74 Tortorici, Zeb, J., 107 Toronto International Film Festival’s Midnight Madness screening (2008), 15 Torture porn, 192 Torture Porn: Popular Horror after Saw (2013), 192 Totaro, Donato, 17 Tradition/religion, 160 Traditional masculinity, 25 Trouble Every Day (2001), 53–58, 60–61, 64 Coré, 55–58 Léo, 55 Shane, 55–58 Tucker and Dale vs Evil (2010), 227 Turkish Horror Cinema, 151–165 abject womb, 157–159 emergence in 2000s, 155–157 Haunted , 157 isolated cases to emergence of horror, 152–154 male saviours, 159 masculinity as abjection, 160–162 monstrous-feminine, 157–159 rational bystanders, 159–160 Turkey, 151–165 cinema, 151 directors, 151 Turkish market, 153 Tusk (2014), 103 21 Hump Street (2013), 103 Twink, 105–106 Twinklight (2010), 104–105 Types of ghost story, 135 Under the Shadow (2016), 146 Unfriended (2015), 88, 91, 97 Barnes, Laura, 91–92 Blaire, 91–92, 95 Laura, 92–93, 95 Mitch, 92 The Uninvited , 136–137 Urbanization, 151 US Department of Health and Human Services, 85 The Vampire Lovers (1970), 128 Vampirism, 176 The Vampyre , 118 Van Damme, Jean-Claude, 205 Variety magazine, 195 Verbinski, Gore, 101 Victims, 227 Video Essay, 219–235 The body, 225–227 end, 233–234 The Final Girl, 225 film theory, 220–233 The Killer, 223 Slasher Horror, 220–233 Terrible Place, The Victims, 223 and Cinema, 95 The Dead (2010), 7 The , 86 87 106 The , 44 The Versus the Vampire Woman aka La de (1970), 41 (2000), 133–149 Claire, Frank, 137, 142 142 137, 142 Linda, 19, 57, 103 and (2013), 47 The Woman (2011), 75 57 The Dead 192 The , 188 139 160 159 205 176 (2005), 189 and the Gothic, 135 films, 152 culture, 151 206 era, 151 151 151 151 horror, 151 melodrama, 151 fiction, 151 86 72 72 Book Part I Chapter 1 to a Gender in the New French Chapter 2 Elegiac in Bubba Ho-Tep and Late Phases Chapter 3 Game of Spanish Werewolves and the of Chapter 4 the The Female in French Grave Dans ma peau My and Trouble Every Day Chapter the in the Postfeminist Part II Chapter through Social and Chapter 7 Gay Chapter 8 of and the Female Vampire in Byzantium Chapter a Ghost in My The Female Gothic and the in Chapter 10 The and as in Turkish Horror of Haunted Part III Captivity Chapter Gender Ideologies, Social and New in Latin American ‘Abduction’ Horror Chapter or Gendered Violence Outside and Inside Captivity Chapter 13 Name Is I Project and in the Resident Evil Chapter 14 The Final Girls as a Video A Metalinguistic with Genre and Gender Chapter 15 Dissecting of Black in Get Out

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