Bibliographic record
Abstract
Poetry and Reason departs from the question of cinema as industrial technology and as artistic language. The prosthetic relationship of industrial technologies to the body, unlike the contingency of traditional art technologies on the body, problematizes the question of cinema as art. Cinema's capacity to render thought-like environments allows its trans-mediumatic abstraction. This extends its questioning beyond the technologically cinematic, into the pre-technological moving image that animates perception, thought and dream. In scanning the field that makes cinema possible, this work questions the possibilities cinema opens as a way of knowing and assembling realities. The interpolation of language, thought and embodiment reveals a view of language as mediumatic, and of cinema as a linguistic medium that can simulate a cognitively faithful dream (the original disembodied moving image) as sensory experience. Thus cinema re-enacts a pre-technological environment while advancing the language of technology embedded in the cinematic machine. The libidinal ways solar and chthonic energies, the symbolic and the physical, interpolate in mytho-poetic thought, art and science culminate in the ways these energies unfold in the experience of cinema and illuminate human hybridization, from ancient anthropo-bestiality to the techno-human condition. Poetry and reason, as the two ways of language, outline an epistemology that foregrounds the primacy of poetry in symbolic being. This work aims to resolve tensions between the symbolic and the material both theoretically and methodologically, proposing an integration of rational and poetic (artistic) techniques. The methodological intervention brings divergent approaches into tensional dynamic that sculpts a mobile structure, necessarily open-ended and imperfect. Theoretically, it delves into the movements of poetry and reason as ways to meaning, investigating their destination in cinema. The vocabulary of reason prompts cinema to advance a technological intent to colonize reality while poetic language destabilizes that movement. Reason and poetry as the two ways of language are thus actualized in the ways cinematic language interpolates mental and sensory experience.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".