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Record W4251493267 · doi:10.3138/ecf.24.2.171

Anna Barbauld on Fictional Form in <i>The British Novelists</i> (1810)

2011· article· en· W4251493267 on OpenAlex
Anne Toner

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueEighteenth-Century Fiction · 2011
Typearticle
Languageen
FieldSocial Sciences
TopicGothic Literature and Media Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsLiteratureIronyNarrativePower (physics)BrotherRealismIntertextualityCuriosityPlot (graphics)ReputationPhilosophyArtSociologyPsychologySocial scienceMathematics

Abstract

fetched live from OpenAlex

Anna Barbauld has been recognized as advancing the critical study of the novel in her edition of The British Novelists. This article considers closely the attention Barbauld pays to novelistic form in the preface and critical essays in that work. She prioritizes carefully-conceived plot above aspirations to realism and to moral didacticism, and places considerable emphasis on narrative closure. This attention to closure is examined in light of both contemporary and later critical debate on the importance and value of novelistic ending. There is some irony in Barbauld's disparagement of disrupted narrative forms considering her reputation as the author of the Gothic fragment “Sir Bertrand.” While this was firmly attributed to her brother John in the 1820s, there is some correlation between the expository essay to “Sir Bertrand” and Barbauld's later writing on Gothic works in The British Novelists. In both “Objects of Terror” and in The British Novelists more generally there is an interest in the construction of readerly curiosity and the power exerted over the reader by a work's end.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.799
Threshold uncertainty score0.807

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.255
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it