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Record W4251493267 · doi:10.3138/ecf.24.2.171

Anna Barbauld on Fictional Form in <i>The British Novelists</i> (1810)

2011· article· en· W4251493267 on OpenAlexvenueno aff
Anne Toner

Bibliographic record

VenueEighteenth-Century Fiction · 2011
Typearticle
Languageen
FieldSocial Sciences
TopicGothic Literature and Media Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsLiteratureIronyNarrativePower (physics)BrotherRealismIntertextualityCuriosityPlot (graphics)ReputationPhilosophyArtSociologyPsychologySocial scienceMathematics

Abstract

fetched live from OpenAlex

Anna Barbauld has been recognized as advancing the critical study of the novel in her edition of The British Novelists. This article considers closely the attention Barbauld pays to novelistic form in the preface and critical essays in that work. She prioritizes carefully-conceived plot above aspirations to realism and to moral didacticism, and places considerable emphasis on narrative closure. This attention to closure is examined in light of both contemporary and later critical debate on the importance and value of novelistic ending. There is some irony in Barbauld's disparagement of disrupted narrative forms considering her reputation as the author of the Gothic fragment “Sir Bertrand.” While this was firmly attributed to her brother John in the 1820s, there is some correlation between the expository essay to “Sir Bertrand” and Barbauld's later writing on Gothic works in The British Novelists. In both “Objects of Terror” and in The British Novelists more generally there is an interest in the construction of readerly curiosity and the power exerted over the reader by a work's end.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.054
Threshold uncertainty score0.107

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0100.014
Scholarly communication0.0070.002
Open science0.0010.002
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.255
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations11
Published2011
Admission routes1
Has abstractyes

Explore more

Same venueEighteenth-Century FictionSame topicGothic Literature and Media AnalysisFrench-language works237,207