In a Woman’s Voice: Musical Recitation and the Feminization of American Melodrama
Bibliographic record
Abstract
Schillings composed the melodrama Hexenlied for performance in the same Basel Festival of 1903 in which Mahler conducted his Second Symphony. The apparent Manichean drama of the Second Symphony is also reminiscent of the polarized narratives of many nineteenth-century theatrical melodramas. Mark Godden's use of parts of Mahler's First, Second and Ninth Symphonies as the score for his ballet Dracula, 1998, commissioned by the Royal Winnipeg Ballet, acts as a first staging post in releasing even further the melodramatic potential of Mahler's music. As in many stage melodrama productions, the light fades in one area of the stage, and illuminates another area to imply parallel action in two different locations the forerunner of cross-cutting in early film technique. Here, then, is the 'melodrama' of melodrama, a major part of which involves the play with and dismembering of Mahler's already playful and broken musical voice.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.002 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".