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Record W4254467058 · doi:10.2307/4486607

Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies, http://memory.loc.gov/ammem/edhtml/. Created and maintained by the Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, Washington, D.C. Reviewed June 15-18, 2006

2006· article· en· W4254467058 on OpenAlexaffabout
Elena Razlogova

Bibliographic record

VenueJournal of American History · 2006
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsConcordia University
Fundersnot available
KeywordsSound (geography)Division (mathematics)Motion pictureEntertainmentBroadcasting (networking)Motion (physics)TelecommunicationsComputer scienceArtComputer graphics (images)Visual artsAcousticsArtificial intelligencePhysicsMathematics

Abstract

fetched live from OpenAlex

Thomas Edison's film and sound ventures shaped American experience of cultural and technological change in the late nineteenth and early twentieth centuries. Inventing Entertainment provides ample primary materials on listening and spectatorship in that era. The 341 Edison films date from 1891, when Edison began his camera tests, to 1918, when his film production company folded. Although Edison began recording sound in 1877, the collection presents only eighty-one disc recordings made from 1913 to 1922. A few accompanying materials include advertisements, posters, and original magazine articles. Visitors can search the collection or browse by genre and chronology. The film section is extensive and sufficiently contextualized for lay audiences. Because copyright law did not cover motion pictures until 1912, early film producers sent segments of their motion pictures as paper prints to the U.S. Copyright Office at the Library of Congress. Edison provided frame-by-frame renditions of entire works, here transferred to digital video. The genres of film include actualities— short films of celebrities, news, disasters, work, travel, technology, scenic views, and expositions—as well as pioneering comedies, animation, trick films, reenactments, advertisements, and dramas. One innovative drama, The Great Train Robbery (1903), directed by Edwin S. Porter, features a famous sequence of a bandit shooting straight into the camera. Viewers can compare the Spanish-American War actualities Wreck of the Battleship “Maine” (1898) and Colored Troops Disembarking (1898) with after-the-fact reenactments of the war's events, such as Advance of Kansas Volunteers at Caloocan, filmed in 1899 in New Jersey with National Guard troops standing in for the volunteers. Accompanying essays link the films to early U.S. film history as well as to Edison's life, inventions, and business.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.535
Threshold uncertainty score0.664

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0040.004
Science and technology studies0.0010.001
Scholarly communication0.0040.004
Open science0.0010.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.5350.236

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.202
Teacher spread0.187 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2006
Admission routes2
Has abstractyes

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