Contributors

Previous article FreeContributorsFull TextPDF Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreMay Adadol IngawanijMay Adadol Ingawanij is a writer, curator and teacher. She is currently writing a book provisionally titled Contemporary Art and Animistic Medium in Southeast Asia, with support from a British Academy Mid-Career Fellowship (2018–19). She is Reader at the University of Westminster, London where she co-directs the Centre for Research and Education in Arts and Media (CREAM).Manuela Carneiro da CunhaManuela Carneiro da Cunha is Professor Emerita at the Department of Anthropology at the University of Chicago. From 1986 until 1988 she was the President of the Brazilian Anthropological Association and is currently a member of the Brazilian Academy of Sciences. Her work deals with Amazonian ethnology and history, indigenous land and intellectual rights, traditional knowledge, ethnicity and African slavery in Brazil.Tony ChakarTony Chakar is a Lebanese artist, architect and writer whose work incorporates literature, philosophy and theory and has been included in numerous exhibitions internationally. His most recent solo show, ‘As In a Beginning’ (2018), was at the Van Abbemuseum, Eindhoven. He teaches architecture at Académie Libanaise Des Beaux-Arts, Beirut.Heather DavisHeather Davis is Assistant Professor of Culture and Media at The New School, New York. Her current book project examines plastic in relation to petrocapitalism. She is editor of Desire Change: Contemporary Feminist Art in Canada (2017) and co-editor of Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015).Joshua FaustyJoshua Fausty is Professor of English and Director of General Education at New Jersey City University.Patrick D. FloresPatrick D. Flores is Professor of Art Studies at the Department of Art Studies at the University of the Philippines, which he chaired from 1997 to 2003, and curator of the Jorge B. Vargas Museum and Filipiniana Research Center in Manila. He curated the Philippine Pavilion of the 56th Venice Biennale in 2015. He is artistic director of the Singapore Biennale 2019.Stéphanie JeanjeanStéphanie Jeanjean is an art historian, curator and translator based in New York. She teaches at Cooper Union, Sotheby’s Institute of Art and the Graduate Center, City University of New York. In 2018 she curated ‘WE DISSENT… Design of the Women’s Movement in New York’ at 41 Cooper Gallery, New York, presenting more than 250 rare designs and artefacts by women.Anders KreugerAnders Kreuger is a curator, writer and director of Kohta, a private kunsthalle in Helsinki. Until recently he was senior curator at M HKA, Antwerp and a member of the Afterall editorial team. Previously he was Director of the Malmö Art Academy and curator at Lunds konsthall, both in Sweden.Miguel A. LópezMiguel A. López is a writer, researcher and co-director and chief curator of TEOR/éTica, Costa Rica where he lives and works. His work investigates collaborative dynamics and transformations in cultural engagement with politics in recent decades. This year he curated ‘Cecilia Vicuña, a retrospective exhibition’, Witte de With Center for Contemporary Art, Rotterdam.Portia MalatjiePortia Malatjie is currently completing a PhD in Visual Cultures at Goldsmiths, University of London. She is adjunct curator at the Norval Foundation, Cape Town.Kobena MercerKobena Mercer is Professor of History of Art and African American Studies at Yale University. Recent publications include the essay collection Travel & See: Black Diaspora Art Practices since the 1980s (2016) and catalogue essays for exhibitions by Frank Bowling and Adrian Piper.Peter D. SipeliPeter Sipeli is a champion of the revival of the literary movement in Fiji, working to provide spaces for new and emerging poets and artists enabling authentic local voices. He founded The Poetry Shop, which facilitates regular poetry events in Fiji and an online arts magazine ARTtalk featuring arts and culture from Fiji and around the Pacific Region generally.Madina TlostanovaMadina Tlostanova is Professor of Postcolonial Feminisms at Linköping University in Sweden. She focusses on decolonial thought, non-Western feminism, post-socialist sensibilities, fiction and art. Her most recent book is What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (2018).Helena VilaltaHelena Vilalta is a PhD candidate in Art History at University College London and a former co-editor of Afterall journal. From 2018–19 she was a Terra Foundation Predoctoral Fellow at the Smithsonian American Art Museum. Recent writings have appeared in Oxford Art Journal, Texte zur Kunst and Lee Lozano: Slip Slide Splice (2018).Kaelen Wilson-GoldieKaelen Wilson-Goldie is a writer based in New York and Beirut. She is a contributing editor for Bidoun and writes regularly for Artforum, Bookforum, Aperture and Frieze. Her first book Etel Adnan (2018) is about the paintings of the eponymous Lebanese-American poet. Previous article DetailsFiguresReferencesCited by Afterall Volume 48Autumn/Winter 2019 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/706137 Views: 109 © 2019 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved. Crossref reports no articles citing this article.

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