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Record W4255967257 · doi:10.1017/9781800100596.010

Postface

2021· other· en· W4255967257 on OpenAlexaboutno aff

Bibliographic record

Venuenot available
Typeother
Languageen
FieldSocial Sciences
TopicFrench Urban and Social Studies
Canadian institutionsnot available
Fundersnot available
KeywordsGeography

Abstract

fetched live from OpenAlex

Back in Paris Bizet found that his mother's health was not critical, but she was frail and lived less than a year longer, dying on 8 September 1861. He also found that his neighbourhood was being torn apart by the rebuilding of Paris led by Baron Haussmann, Préfet de la Seine. The musicians’ ghetto of narrow streets north of the Opéra was never the same again after the broad new Rue Lafayette drove a swath straight as an arrow down from the stations, the Gare du Nord and the Gare de l’Est, to the huge new opera house now under construction at the head of the (new) Avenue de l’Opéra. He went back to living with his parents in the Rue Laval and found the adjustment to life back in Paris very difficult. Ernest Reyer recalled: On his return from Italy he passed through a period of wild energy, irritated by the slightest little incident. He would take up the challenge in defence of something or someone without the slightest provocation. He could be could be teased or disarmed with a few calming words, which he always listened to. Later he would laugh about those fits of temper and confess that in those violent jabs, which, fortunately, were usually wide of the mark, there was nothing but youthful exuberance and hot air. He was permitted to spend the fourth year of the Prix de Rome in Paris, so he had a modest income at least until the end of 1861. According to Marmontel he taught piano, harmony and singing at this time, but there are no details of this. His most pressing obligation was his third submission for the Prix de Rome, which he presented in October 1860. It consisted of two movements of the symphony he had been contemplating on his travels, and an overture entitled La chasse d’Ossian , now lost, which was in all probability a version of the symphony's first movement. The submission, as a whole, was well received by the Academy in its report, but there is no evidence that he composed any more music until June 1862 when he embarked on the comic opera La guzla de l’émir. What he was certainly doing was transcribing operas for the publisher Choudens.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.926
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0020.001
Scholarly communication0.0050.004
Open science0.0010.004
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.9260.839

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.295
Teacher spread0.250 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes1
Has abstractyes

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