MétaCan
Menu
← Back to cohort
Record W4256436723 · doi:10.3138/md.44.1.103

Book Reviews

2001· article· en· W4256436723 on OpenAlexvenueaboutno aff
Brian Crow, James Dugan, Reid Gilbert, Nick Worrall, Loïs Oppenheim, Michal Kobiałka, Donald Rayfield, Felicia Hardison, Laurence Senelick, Mariela Stevenson, Edward Isser

Bibliographic record

VenueModern Drama · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDramaPerformance artIrishArt historyArtHistoryCriticismGeorge (robot)The HolocaustLiteraturePhilosophyTheology

Abstract

fetched live from OpenAlex

Helen Gilbert, ed., (Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance, reviewed by Brian Crow Anton Wagner, ed., Establishing Our Boundaries: Engligh-Canadian Theatre Criticism, reviewed by James Dugan Ric Knowles, The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies, reviewed by Reid Gilbert Nicholas Grene, The Polirics of Irish Drama: Plays in Contex from Boucicault to Friel, reviewed by Nick Worrall Katharine Worth, Samuel Beckett's Theatre: Life Journeys, reviewed by Lois Oppenheim Kalina Stefaniva, ed, Eastern European Theater after the Iron Curtain, reviewed by Michal Kobialka Robert Leach and Victor Borovsky, ed.,A History of the Russian Theatre, reviewed by Donald Rayfield Donald Rayfield, Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama, reviewed by Felicia Hardison David Allen, Performing Chekov, reviewed by Laurence Senelick Vivan M. Patraka, Spectacular Suffering: Theatre, Fascism and the Holocaust, reviewed by Mariela Stevenson Anat Feinberg, Embodied Memory: The Theatre of George Tabori, reviewed by Edward Isser

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.435
Threshold uncertainty score0.806

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0030.005
Science and technology studies0.0010.001
Scholarly communication0.0060.004
Open science0.0020.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.4350.433

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.043
GPT teacher head0.251
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2001
Admission routes2
Has abstractyes

Explore more

Same venueModern Drama→Same topicTheatre and Performance Studies→French-language works237,207→